Johnny Dango

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Sydney Eloise & The Palms release their debut LP, Faces; Creative Loafing gives 4 out of 5 star review, hosts album stream

Sydney Eloise reveals a lush, ’60s pop sound with her debut album, Faces (the Cottage Recording Co./Bear Kids). Marking an impressive departure from the girls-night-out country pop of her early single “Bad Suzie,” songs such as “Tell Me What I Want to Hear,” “Sorry, Not Sorry,” and “Always Sailing,” manage
Pitchfork features No Age Cover of Black Flag, Gun Club for 7″ Box Set

As part of an exhibit curated for the Los Angeles gallery Gallery 1988, a limited 7″ box set called Thirty Three and a Third has been released. It features newer bands covering older songs. Most notably, it features No Age delivering their versions of the Gun Club‘s “Sex Beat” and Black Flag‘s “Six
PunkNews debuts Bud Bronson and the Good Timers’ “Pioneer Iron” video

Today, Punknews is pleased to debut the new video by Bud Bronson and the Goodtimers! In the video, the band staples together balls-out rock n roll with 90s alt-rock, resulting in a combustible jam. The tune starts with some killer shredding and ends in a Thin Lizzy-ish chorus “You don’t
Huffington Post shares exclusive stream of Becky Warren’s new LP War Surplus

Once in a blue moon, you’ll hear an artist for the first time who presents a debut solo album with moving music and stirring lyrics that immediately touch the heart and soul. In 2016, Nashville singer-songwriter Becky Warren is that artist, and the potent, poignant War Surplus is that album. READ MORE…
YES! Weekly interviews Caleb Caudle about his new album Carolina Ghost

Caleb Caudle got up and walked out. This was back when he was in community college, after high school. He knew he had something more important to attend to. “I don’t think I’m doing this anymore,” he told the instructor as he left the classroom. He went home and wrote
Immersive Atlanta debuts acoustic live session of Sara Rachele performing her song “Never Come Around” from her 2014 debut LP Diamond Street

If I had to name singer-songwriter Sara Rachele’s greatest gift, it would be her ability to wring big emotions from the simplest of songs. Much of the credit can go to her honey-coated voice, although her knack for finding points of depth and complexity in her mostly spare arrangements shouldn’t
No Country For New Nashville on Willie and the Giant: “Quality rock & roll done the way it should be.”

Just a week and a half ago, we had the distinct pleasure of hosting indie rock/soul musicians Willie and the Giant at our weekly showcase over at Acme Feed and Seed, but it turns out that’s not the only thing this talented bunch of musicians have been up to recently. In fact, the
The Bluegrass Situation sit down with the Skintights to discuss “Motel Fire”

3X3: SARA RACHELE ON SLEEPING IN BOOTS, BURNING CDS, AND HOPPING FENCES READ MORE…
Impose features Shepherds’ debut LP Exit Youth at their Week in Pop column

Shepherds, masterminded by Jonathan Merenivitch, just released their album Exit Youth today and presented us with the super courteous and super-charged single “Courtesy”. Merenivitch’s musical resume checks his work with Janelle Monae, Dog Bite, Del Venicci, and more, where Shepherds finds him playing with Peter Cauthorn from Mood Rings on bass,
Stereogum gives audience a first listen to new album from Honus Honus, Use Your Delusion

Los Angeles-based Ryan Kattner has reinvented himself with his new solo project Honus Honus and fueled his debut LP with the chaos of LA. Use Your Delusion is a hodgepodge of dizzying synths, quirky vocals, and genre overload. The album was a way for Kattner to explore new sounds and musical dimensions unknown to