Client Press

Glide Magazine Announces Album and Shares New Video From John Salaway

John Salaway by Blake Russell — John Salaway. Photo by Blake Russell

Frontman. Acclaimed songwriter. Sideman. Nationally-endorsed multi-instrumentalist. Producer. Since moving to Nashville in the early 2000s, John Salaway has become one of the city’s most accomplished musicians, holding down a weekly residency at the world-class BB King’s Blues Club while also playing shows with acts like Peter Frampton, Ben Folds, Anderson East, Zach Williams, and Denny Laine from the Moody Blues and Paul McCartney’s Wings. He’s a drummer. A guitarist. A pianist.

Salaway has returned with a highly anticipated new album Americana Dreams out 10/25. The album shows the full range of his abilities, mixing a lifelong appreciation for the Beatles’ classic pop melodies with the southern-fried sounds of his adopted hometown.

by Baby Robot Media

Cowboys & Indians Magazine Premieres Sofia Talvik’s “Paws of a Bear”

Sofia Talvik, Jonas Westin, Americana, Paws of a Bear, Sweden, Swedish Music, Folk, Swedes, First Aid Kit — photo by Jonas Westin.

For fans of: First Aid Kit and Jewel.

The song: “Paws of a Bear” is the title track off Swedish singer-songwriter Sofia Talvik’s upcoming album, available September 27.

About the artist: Growing up in Sweden, Talvik always made music that was in line with her Scandinavian heritage. But after a 16-month, 37-state long tour in the United States, her sound slowly developed into a unique Nordic-Americana hybrid.

Following the release of her 2005 debut album, Blue Moon, and her sophomore album, Streets of Dreams, Talvik began to get noticed. When her breakout album, Big Sky Country, dropped in 2015, it garnered rave reviews from New York Music Daily, which hailed it as “one of the most distinctively memorable Americana albums of recent years.” Now Talvik’s following up with the highly anticipated album Paws of a Bear.

by Baby Robot Media

American Songwriter Shares New Track From Shawn Colvin

Shawn Colvin by Deidre Schoo — Shawn Colvin. Photo by Deidre Schoo

On September 13, Shawn Colvin will release an acoustic anniversary edition of her landmark 1989 album, Steady On. Ahead of the album’s release, Colvin has shared her new take on the classic Steady On track “Cry Like An Angel,” premiering below.

by Baby Robot Media

Cowboys & Indians Magazine Shares New Track From Josh Rennie-Hynes

Josh Rennie-Hynes by Citizen Kane Wayne — Josh Rennie-Hynes. Photo by Citizen Kane Wayne

The premiere: “Stay” is off Josh Rennie-Hynes’ forthcoming album, Patterns, available September 27.

For fans of: The Felice Brothers, Carl Anderson, the War on Drugs, Deer Tick, Langhorne Slim.

About the artist: Before Josh Rennie-Hynes made the move from Australia to Nashville to focus solely on his music career, he was a part of the Ahern Brothers. “The duo’s vocal harmonies and careworn guitars shiver with timeless feeling,” Rolling Stone said. “A mesmerizing contemporary recording; restrained, pithy and pure.” Striking out on his own, Rennie-Hynes is now channeling that talent into his upcoming solo album, Patterns, a compilation of songs that document his transition to a new hometown and the personal growth that followed.

by Baby Robot Media

Surviving the Golden Age Premieres New Track From The Good Graces

The Good Graces. Photo by John McNicholas

The Good Graces are gearing up to release their new LP, Prose and Consciousness on October 11th. Surviving the Golden Age is excited to premiere their new single “Wants + Needs.”

by Baby Robot Media

Bandsintown Interviews Hanne Hukkelberg About New & Self-Produced, 𝑩𝒊𝒓𝒕𝒉𝒎𝒂𝒓𝒌 LP

In a roundabout way, Hanne Hukkelberg’s new album ‘Birthmark’ is a breakup album.

In the two years since her last LP dropped, the “Embroidery” songstress has been silently reinventing herself. While 2017’s Trust put her onto the map with sprawling tracks that relied almost entirely on tonal changes, pitch transitions, and vocal chops, Birthmark takes a more minimalistic approach to production, allowing Hanne’s voice to take centerstage on all nine songs. It’s ironic, as the Norwegian singer-songwriter was born a maximalist, but this album sees her doing the exact opposite—breaking up with her innate nature and learning to trust the simpler things of her creative process.