• Skip to primary navigation
  • Skip to main content

Baby Robot Media

  • Home
  • About
  • Clients
  • Press
  • Playlists
  • Services
  • Contact
  • Facebook
  • Twitter
  • Instagram

Search Results for: Девятаев—Девятаев фильмы которые уже вышли фильм тут >>bit.ly/devataev-film-2021

by Baby Robot Media

Immersive Atlanta debuts new live video of Sara Rachele performing “When the Fire Goes Out Tonight”

Sara Rachele press photo Diamond Street baby robot media Diamond Street Angrygal angry gal immersive atlanta

Recorded live in East Atlanta’s Brownwood Park, Sara Rachele’s new video, “When the Fire Goes Out Tonight,” accentuates much of what we’ve grown to know and love about the songwriter. The song is an intimate, semi-confessional oeuvre on broken love and forgiveness that succeeds on the strength of its stark simplicity and Rachele’s lyrical honesty: “Ooh honey, when the fire goes out tonight / I’ll tell you that I will never lie / Believe me, you have my heart in mind / At least when the fire goes out tonight.” Her vocals, always alluring and generously coated in rustic Southern charm, here sound more subdued that normal, drifting between a wintery mix of sadness and romantic yearning while she effortlessly fingerpicks the song’s forlorn melody on her acoustic.

Directed by Brent Lambert-Zaffino, the accompanying video wisely maintains the song’s unadorned simplicity, allowing Rachele’s expressive hooks to lead and guide the action. It’s certainly warmer and more lighthearted — much of the footage features Rachele smiling or laughing — although the video’s black and white palette helps mute some of the cheer. It’s a fairly straightforward production that manages to feel poetic and ethereal, offering a sense of comfort and stability that somehow accents rather than negates her wistful musings. WATCH HERE…

Filed Under: Client Press Tagged With: Immersive Atlanta

by Baby Robot Media

The Huntsville Times interviews Aaron Lee Tasjan about his weed-fueled solo LP, playing lead guitar for Drivin N Cryin and New York Dolls

Aaron Lee Tasjan Americana In the Blazes Drivin' N Cryin' Kevn Kinney New York Dolls Alberta Cross The Huntsville Times

Nashville singer/guitarist Aaron Lee Tasjan’s debut solo LP “In The Blazes” is Americana done with a lyrical edge. Tunes like “Made In America,” “The Dangerous Kind” and “Judee Was a Punk” serve as reminders roots music in 2015 doesn’t have to be an artisanal-beard-and-vest-clad pose. If you’re a fan of artists like Tom Petty, Jason Isbell and John Prine, Tasjan’s earthy story-songs will fit snugly into your playlist.

“The kind of music I play, so many people have fallen in love with the folk-rock or country-rock or Americana whatever … I just call it rock ‘n’ roll music” Tasjan says. “So I just wanted to have something a little different to say than what everyone else is doing with it. I didn’t grow up on a farm. I didn’t work in a factory – I’ve done lots of crappy jobs but that wasn’t one of them.” READ MORE…

Filed Under: Client Press Tagged With: Huntsville Times

by Baby Robot Media

No Depression features “Don’t Walk Away” from Aaron Lee Tasjan ‘s live session at Lightning 100

Aaron Lee Tasjan Americana In the Blazes Drivin' N Cryin' Kevn Kinney New York Dolls Alberta Cross Lightning 100 no depression

No Depression features “Don’t Walk Away” from Aaron Lee Tasjan‘s live session at Lightning 100. Watch it here…

Filed Under: Client Press Tagged With: No Depression

by Baby Robot Media

Creative Loafing reviews Shepherds debut “Exit Youth”

Shepheds Adrian Benedykt Switon Peter Cauthorn Jonathan Merenivitch Ross Politi Exit Youth post punk soul del venicci mood ring janelle monae dog bite creative loafing

Shepherds’ debut album, Exit Youth, takes shape as a beautifully mixed bag of sorts. The synth rock pastiche “Reverie” fades into the harsh sound collage of “Drudgery.” Sprinkled in amid these experimental pieces is a dose of Dinosaur Jr.-style guitar rock laced with touches of soul and R&B shining through in album highlights “Never Been” and “Brevity.” This eclectic mix finds common ground in guitarist and singer Jonathan Merenivitch’s jumbled approach to coherent story telling. The album’s theme: Realizing in your late 20s that, even though you have an artistic platform, youthful dreams of ditching your day job and pursuing your passion full time are revealing themselves as a cruel joke. Written over a three-year period, Exit Youth is about confronting economic and emotional recessions through healthy, creative means. ? ? ? ? ? READ MORE…

Filed Under: Client Press Tagged With: Creative Loafing

by Baby Robot Media

URB Magazine features the video for “Porcelain,” the lead single off of KONCEPT & J57’s EP, ‪The Fuel‬

Koncept and J57 the fuel Soulspazm Fat Beats Records Brown Bag Allstars Porcelain featuring Hollis urb magazine

Koncept & J57 share their first video for their lead single, “Porcelain” featuring Hollis who rose to fame after appearing on Macklemore’s “White Walls.” “Porcelain” was shot at Cannon Beach in Oregon. Fun fact: That’s where the Goonies was shot. Video was directd by Jesse Vinton for Vinton Depiction. WATCH HERE…

Filed Under: Client Press Tagged With: URB Magazine

by Baby Robot Media

8 Inch Betsy’s new single “Grotesque” featured at PopMatters

8 inch betsy the mean days meghan galbraith eli burke Melissa Thomas 307 Knox Records chicago Popmatters grotesque

Best known for an aggressive yet melodic style of punk rock similar to that of the Distillers, Chicago queercore band 8 Inch Betsy were on the cusp of a breakthrough thanks to a reputation as a terrific live band and the strong 2007 debut This Time, Last Time, Every Time. Although the follow-up The Mean Days was recorded over the course of several years since 2010, it was never quite completed, and sadly this past January singer/guitarist/songwriter Meghan Galbraith passed away at the age of 35. As a tribute to her, The Mean Days will finally be released posthumously by Knox Records on 13 November, and you can hear the new track “Grotesque” below, a song that was not only a departure from the band’s sound but was never supposed to be on the album in the first place.

On 21 March, 2008, bassist Eli Burke received an email from Galbraith that read, “This one was way fun. I found a vocal filter that makes me sound like a dude. Or dudes. Or robot dudes.  Don’t ask what the song is about, I made most of it up on the spot.” LISTEN HERE…

Filed Under: Client Press Tagged With: PopMatters

  • « Go to Previous Page
  • Go to page 1
  • Interim pages omitted …
  • Go to page 482
  • Go to page 483
  • Go to page 484
  • Go to page 485
  • Go to page 486
  • Interim pages omitted …
  • Go to page 540
  • Go to Next Page »
  • Home
  • About
  • Clients
  • Press
  • Playlists
  • Services
  • Contact
  • Facebook
  • Twitter
  • Instagram

COPYRIGHT © 2022 - Baby Robot Media