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American Songwriter Magazine reviews Aaron Lee Tasjan’s debut LP, In the Blazes

Aaron Lee Tasjan Americana In the Blazes Drivin' N Cryin' Kevn Kinney New York Dolls Alberta Cross american songwriter magazine review

East Nashville’s Aaron Lee Tasjan traveled to Los Angeles to record this debut. But these songs full of humorous, wry, sometimes snarky lyrics steeped in the American South, although often informed by the similarly-skewed sensibility of Randy Newman.

The Ohio-bred singer/songwriter/guitarist’s name might be unfamiliar to most, yet those who inspect liner notes might recognize his credit on Jesse Malin and Pat Green albums. He also served time in the trenches playing in later versions of the New York Dolls and Drivin’ N Cryin’ as well as assisting Kevn Kinney, who became somewhat of a mentor, on Kinney’s 2012 Good Country Mile release. The names of Tasjan’s previous bands alone—Semi-Precious Weapons and the Madison Square Gardeners—display his sardonic humor. READ MORE…

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Louder Than War caught up with People’s Blues of Richmond at ‪CMJ 2015‬ outside of their show at The Bowery Electric.

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A dark blues band infused with a psychedelic, relevant confusion, spewing out ballads of drugs, murder and free will, similar to Led Zeppelin, but more intriguing, more fascinating, and more passionate, The People’s Blues of Richmond, is touring in support of their newest release, “Good Time Suicide”.

The members of the fraction stood outside a New York City venue after their awesome performance smoking cigarettes and just having fun. All of them incredible musicians, talented vocalists, and a mix between Black Sabbath, and The Black keys, tainted with Led Zeppelin. Their newest single Gone,Gone, Gone, is an essential song that has got to be experienced.

At precisely 3 o’clock, as arranged the group walked over to Louder Than War, guitarist Tim Beavers, bass player Matt Volkes and drummer Neko Williams, to explain their existence, their powerful force and their music. READ MORE…

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Immersive Atlanta debuts new live video of Sara Rachele performing “When the Fire Goes Out Tonight”

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Recorded live in East Atlanta’s Brownwood Park, Sara Rachele’s new video, “When the Fire Goes Out Tonight,” accentuates much of what we’ve grown to know and love about the songwriter. The song is an intimate, semi-confessional oeuvre on broken love and forgiveness that succeeds on the strength of its stark simplicity and Rachele’s lyrical honesty: “Ooh honey, when the fire goes out tonight / I’ll tell you that I will never lie / Believe me, you have my heart in mind / At least when the fire goes out tonight.” Her vocals, always alluring and generously coated in rustic Southern charm, here sound more subdued that normal, drifting between a wintery mix of sadness and romantic yearning while she effortlessly fingerpicks the song’s forlorn melody on her acoustic.

Directed by Brent Lambert-Zaffino, the accompanying video wisely maintains the song’s unadorned simplicity, allowing Rachele’s expressive hooks to lead and guide the action. It’s certainly warmer and more lighthearted — much of the footage features Rachele smiling or laughing — although the video’s black and white palette helps mute some of the cheer. It’s a fairly straightforward production that manages to feel poetic and ethereal, offering a sense of comfort and stability that somehow accents rather than negates her wistful musings. WATCH HERE…

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The Huntsville Times interviews Aaron Lee Tasjan about his weed-fueled solo LP, playing lead guitar for Drivin N Cryin and New York Dolls

Aaron Lee Tasjan Americana In the Blazes Drivin' N Cryin' Kevn Kinney New York Dolls Alberta Cross The Huntsville Times

Nashville singer/guitarist Aaron Lee Tasjan’s debut solo LP “In The Blazes” is Americana done with a lyrical edge. Tunes like “Made In America,” “The Dangerous Kind” and “Judee Was a Punk” serve as reminders roots music in 2015 doesn’t have to be an artisanal-beard-and-vest-clad pose. If you’re a fan of artists like Tom Petty, Jason Isbell and John Prine, Tasjan’s earthy story-songs will fit snugly into your playlist.

“The kind of music I play, so many people have fallen in love with the folk-rock or country-rock or Americana whatever … I just call it rock ‘n’ roll music” Tasjan says. “So I just wanted to have something a little different to say than what everyone else is doing with it. I didn’t grow up on a farm. I didn’t work in a factory – I’ve done lots of crappy jobs but that wasn’t one of them.” READ MORE…

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Creative Loafing reviews Shepherds debut “Exit Youth”

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Shepherds’ debut album, Exit Youth, takes shape as a beautifully mixed bag of sorts. The synth rock pastiche “Reverie” fades into the harsh sound collage of “Drudgery.” Sprinkled in amid these experimental pieces is a dose of Dinosaur Jr.-style guitar rock laced with touches of soul and R&B shining through in album highlights “Never Been” and “Brevity.” This eclectic mix finds common ground in guitarist and singer Jonathan Merenivitch’s jumbled approach to coherent story telling. The album’s theme: Realizing in your late 20s that, even though you have an artistic platform, youthful dreams of ditching your day job and pursuing your passion full time are revealing themselves as a cruel joke. Written over a three-year period, Exit Youth is about confronting economic and emotional recessions through healthy, creative means. ? ? ? ? ? READ MORE…