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Search Results for: Психолог онлайн Катар Бруней Услуги психолога Психолог Германия skype:amt777

Angela Perley

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Angela Perley has spent the past decade onstage and on the road, creating her own cosmic swirl of alt-country, psychedelic rock, and amplified Americana along the way. 

It’s a sound that’s earned the Ohio native a following both at home and abroad, from sold-out crowds in her native Columbus — where songs like “Electric Flame” have become staples of the FM radio — to audiences in Europe, where Perley’s debut album, Hey Kid, peaked at Number 6 on the EuroAmericana chart. 

Originally launching her career as the frontwoman of Angela Perley and the Howlin’ Moons, Perley has since gone solo, funneling the sonic stomp that ran throughout 2014’s Hey Kid and 2016’s Homemade Vision into the personal, poignant punch of solo records like 2019’s 4:30. She continues the momentum with her newest single, “Here for You.” Written and produced by Perley, the single serves as a love song to oneself — a personal, guitar-driven pep talk, delivering during a time of unprecedented challenges. 

Perley was still in the early stages of touring behind 4:30 when the Covid-19 pandemic brought her steady schedule of shows to a halt. For years, she’d been getting used to rolling with the punches — booking her own shows, growing her own business, and graduating from barroom gigs in the midwest to hard-won opening slots for the likes of Lucinda Williams and Tyler Childers. Her newly minted single, “Here for You,” was written as a timely pick-me-up; call it a battlecry from a self-made star who’s never been shy about taking the road less traveled.

Like the rest of Perley’s catalog, “Here for You” blurs the lines between genre and geography. A highway anthem for daytime driving, it blends southern slide guitar with midwestern grit, glued together by the singing and sharp insights of an International Songwriting Award-winning frontwoman. “Here for You” is a classic song for the modern moment — a contemporary version of the timeless sound that’s been blasting forth from car dashboards and hi-fi stereos since the early 1970s, an era that Perley, with her platform shoes and breezy folk-rock, easily evokes.  

“Here for You” also marks the first taste of a new album that Perley has been creating at home and at Earthwork Recording Studio, the same Ohio destination where 4:30 was tracked. Mastered by Grammy-winning engineer Dave Collins and featuring guitar contributions from longtime collaborator Chris Connor, the track shines new light on a musician who has spent years, according to No Depression, “laying down an interesting mix of folk, Americana, and ’60s-tinged psychedelic rock that floats seamlessly between Bob Dylan and Procol Harum, sometimes within the same song.”

For Angela Perley, it’s always been about the songs — and with “Here for You,” the song lives on. 


“[Angela Perley’s] songs run the gamut from psychedelic garage rock to melodic pop and heartfelt country and Americana.” – Billboard

“Gorgeous in composition … Sprinkled high hats when combined with a sliding guitar riff create this illusion of an expansive horizon.” – Stereogum
 
“Breathless folk balladry and skipping country rave-ups, all marked with yearning by Perley’s confident yelps and Chris Connor’s lead guitar.”  – Chris Deville, Columbus Alive
 
“Unyielding … pensive, slow-burning country.” – Wide Open Country
 
“The Ohio band’s sound was bluesy and directly pulled from classic rock like Thin Lizzy, but also carried a distinctly Southern sound à la The Allman Brothers. Star-shaped tambourine in hand, Perley led the group in a hard-driving set.”- Nashville Scene
 
“Laying down an interesting mix of folk, Americana, and ’60s-tinged psychedelic rock that floats seamlessly between Bob Dylan and Procol Harum, sometimes within the same song.” – No Depression
 
“Angela Perley has earned comparisons to virtually every big-voiced, ass-kicking female of the 21st century, from Grace Potter to Kacey Musgraves. On her debut album though, the Ohio native carves out her own space in rock & roll, crooning and snarling her way through rootsy songs about love, lust and life in the Midwest.  – American Songwriter
 
“Completely outstanding.” – Bob Harris, BBC Radio 2
 

“Taking her cues from timeless songwriters like Bob Dylan, Neil Young and Patti Smith, she combines her delicate and dreamy vocals with a knack for emotional storytelling.” – The Line of Best Fit

by Baby Robot Media

The East Nashvillian on Stuffy Shmitt: The Sanest Nutcase in Town

stuffy shmitt more stuff happens scratchin at the cat big takeover nashville new york aaron lee tasjan los angeles laurel canyon 5 spot five cat and fiddle pub music pr publicity roots rock beatles white album warren zevonResplendent in his jeans, boots, black sport coat, his head shaved on the sides with a tufty palm tree of hair on top, wide-eyed and expressive, Stuffy Shmitt has consorted with known felons and worn-out trollops on the mean side of the street. A Milwaukee native with poetic alcoholic disasters for parents, Shmitt grew up seeing the world not so much as a place for good souls but as a backwater county fair full of damaged human exhibits smelling like hay and cow shit. He’s a heck of a good time, in other words.

His latest musical offering, Stuff Happens, is a rocking, bluesy, angry, funny, howling, cooing, heartbreaking party where all the crazy chickens come to roost. It takes a special artist to write a song called “Sleeping on the Wet Spot” and it not be a novelty song — or go from the gorgeous ode to his parents, “Mommy & Daddy” (featuring strings from Austin Hoke and Derek Pell) to the ‘turn it up to eleven’ Velvet Underground-ish madness that is “Scratchin’ at the Cat.” “Mommy & Daddy” birthed an equally poignant video, produced by Irakli Gabriel and Anana Kaye.

READ MORE…

Filed Under: Client Press

by Baby Robot Media

Glide Magazine has high praise for the new single from Bill Filipiak

bill filipiak americana folk blues country singer songwriter nashville grand ole opry ryman uk americanauk premiere debut new music pr publicity baby robot medicine i need resonator dobroEvery great artist needs a good story to tell. For Bill Filipiak, a producer for the Grand Ole Opry, has worked with a list that would giddy up the most casual music listener. With a gritty voice and a knack for roadhouse rhythm blues, Filipiak has used his tenacious chops and ears that have heard everyone from Willie to Emmylou as a cornerstone for his own bodacious Americana sound. on his new LP Medicine, I Need.

“When you have the opportunity to talk songwriting with these people and watch them perform—I’m talking about folks like Larkin Poe, Sarah Jarosz, Molly Tuttle, Bryan Sutton and Allison Russell; artists like Lera Lynn and Maggie Rose, who insist on finding their own path while staying true to who they are; or maybe you spend a couple days with a legend like Keb Mo, George Thorogood or Ray Wylie Hubbard—after that,” Filipiak says, “it’s hard not to pick up your instrument, try to emulate what they’ve done, then come up with your own idea and follow through on it.”

Glide is premiering the chugging rocker “When The Blues Come Calling,” which prowls with a John Hiatt meets Steve Earle rumble atop a toasty harmonica lick that is undeniably old school and full of edge.

Read more and check out the song at Glide Magazine.

Filed Under: Client Press Tagged With: Glide Magazine

by Baby Robot Media

Nashville Americana singer/songwriter Kiely Connell shares new single “Calumet Queen” at Glide Magazine

It’s nuts the Calumet River south of Chicago doesn’t get more musical nods. Sure it’s no Mississippi or Hudson but surely this body of water sneaking below one of our country’s greatest musical cities would get a big chorus in some Creedence type chugger. Enter Kiely Connell and her righteously soulful charismatic vocal who has something to say about this area on her debut album Calumet Queen. READ MORE…

Filed Under: Client Press Tagged With: Glide Magazine

by Baby Robot Media

Americana Highways reviews longtime sideman to Woodstock legend Richie Havens, Walter Parks and his debut LP with The Unlawful Assembly

“[Walter Parks’] style is in the realm of late blues great John Campbell, Keb’Mo, Taj Mahal, & Jon Dee Graham. Yet what makes Walter special — he knows the songs need the region’s dirt & mud in the melody, the swamp diction, southern-fried intonation, humid phrasing, & whiskey tonality.”

READ MORE

Filed Under: Client Press Tagged With: Americana Highways

by Baby Robot Media

Elmore Magazine loves Stuffy Shmitt’s unhinged new deluxe-edition LP: “The songs, as evidence of severely crazy, would stand up in court”

stuffy shmitt more stuff happens scratchin at the cat big takeover nashville new york aaron lee tasjan los angeles laurel canyon 5 spot five cat and fiddle pub music pr publicity roots rock beatles white album warren zevonStuff Happens is Stuffy Shmitt’s first record in eight years because, well, he went crazy. Or maybe he just manifested his longtime craziness. Proof: He was bounced from bars in New York’s West Village for years, so he left to live in Nashville. If anyone needs more convincing, please listen to the whole album—the songs, as evidence of severely crazy, would stand up in court.

This unconventional artist (no, that’s not redundant) comes by his off-center musicality honestly. Growing up in Milwaukee, his mother drank, played drums and wrote songs in her sleep; his father played guitar and had a thing for fast cars. Shmitt said, “We read a lot of books, listened to a lot of music and protested social injustices. Our home was loud and nasty and violent. We didn’t spend a lot of time hugging or talking about feelings.”

Stuff Happens is all about disasters, big and small. The songs run the full spectrum of manic depression to bizzaro blues rockers to naked, unapologetic American rock & roll and desolate Americana ballads.

READ MORE…

Filed Under: Client Press Tagged With: Elmore Magazine

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