Like the local dive bar’s perennial drunkard, Parker Smith’s music has that rare ability to thrive while at its scrappiest. All aching pedal steel and cigarette-soaked pleas, Smith seems to put his own spiritual turmoil in a chokehold, elevating it until he squeezes out the elegant songs that make for his forthcoming sophomore LP, Underground, which is due out April 9th. Unlike most of his peers in the Americana community, Smith manages to defy being pigeonholed by inflecting his music with touches of blue-eyed soul (“Fray”), Asbury Park-indebted blues-rock (“Holy Water”), and even Gordon Lightfoot (“Arrowroot”).
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GIGsoup reviews Parker Woodland’s new EP, The World’s On Fire (and We Still Fall in Love)
Parker Woodland is lumbered with a bland name that sounds like it should belong to a nature reserve owned by the National Trust. So it’s a pleasant surprise that their debut EP is such an exhilarating listen. READ MORE…
Glide Magazine debuts the lead single + title track from June Star’s forthcoming LP, How We See It Now, calling it a “burly rocker”…
Coming off a dizzyingly prolific run of releases – this will mark his 11th full-length record in six years – How We See it Now came about by breaking through the social-emotional chokehold that 2020 strapped the world with. Though these songs were not written for or during the lockdown (for that see Grimm’s 2020 solo release A Little Heat), they were born from a flurry of creative output. Grimm holed up at Magpie Cage Studios in Baltimore, MD and culled together a ‘best of’ from his past three years’ worth of Bandcamp output. When he finally sat down to listen to years worth of material, these were the songs that stood out as surefire winners.
The Columbia Tribune interviews Parker Woodland’s Erin Walter
Opening songs hold the power to crack albums open, revealing the stuff they’re made of and setting mission statements for listeners to reject or embrace. READ MORE…
The Austin American Statesman features Parker Woodland’s new EP in this week’s release roundup
If you’ve driven past the intersection of Parker and Woodland streets in near-south Austin, you’ve seen the origin point of this propulsive indie-rock trio, whose members all lived nearby when they started jamming together. READ MORE…
Coma Girls talk Elliott Smith for LA Weekly’s “My Favorite Album”
I remember the first time that I heard Elliott Smith. One of my first childhood girlfriends had burned me a couple cds and one of them was Elliott Smith’s, Figure 8. READ MORE…