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Our Culture Mag shines their artist spotlight on Margaret Chavez, debuting NEW video for 8-minute epic, “H O R A”

Margaret Chavez is the project of Austin-based singer-songwriter Marcus William Striplin, who fuses elements of space rock, freak folk, and alt-country. Having started out his career in the late 90s as one half of the psychedelic outfit Pleasant Grove, he recently issued his second solo album, Into An Atmosphere – a sprawling, ambitious, and often breathtaking effort co-produced by longtime collaborator Stuart Sikes (Cat Power, Loretta Lynn, The White Stripes) and mastered by Greg Calbi (John Lennon, David Bowie, Bruce Springsteen).

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Arkansas Democrat-Gazette unfolds the epic story behind Hi-Watter, the long-awaited debut album from Rev. Greg Spradlin and the Band of Imperials

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In 2010 Pete Thomas, the drummer for Elvis Costello’s bands The Attractions and The Imposters, was in Little Rock to record some songs with Indy Grotto, wife of producer Jason Weinheimer, for her solo album. While Thomas was here, Weinheimer encouraged Greg Spradlin, the singer-songwriter-hotshot guitarist and longtime Arkansas musical stalwart, to come jam with the British drummer.

That session was a life-changing one for Spradlin, though he didn’t know it at the time. “I thought, yeah, I could spend a day with him,” the 51-year-old Spradlin says. “I had about three songs. That’s probably all we could get done anyway.”

He admits that he was expecting something more laid-back, but Thomas — who not only drummed on legendary Costello albums like “This Year’s Model,” “Get Happy,” “Armed Forces,” “Imperial Bedroom” and more, but is also an in-demand studio drummer who has played with Randy Newman, Sheryl Crow and others — had a different approach. “He’s a perfectionist, and it goes really quick,” Spradlin says. “We got through those three songs before lunch.”

There was an undeniable chemistry, and that informal jam started Spradlin on a musical trip that would take him to Los Angeles to record with, among others, Thomas, Los Lobos founding member David Hidalgo, the late keyboardist Rudy Copeland and bassist Davey Faragher of Cracker and The Imposters.

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Listen: State of the Art Spotify playlist for 8/31/20

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Listen to this week’s State of the Art Spotify playlist featuring:

Left at London – Safety First
Thundercat, Smino, Guapdad 4000 – Dragonball Durag – Remix
Sara Rachele – Sex and Candy (Marcy’s Playground cover)
Peach Kelli Pop – Cut Me Off
8 Inch Betsy – Night (Baby Robot Records)
L.A. WITCH – Gen-Z
Radiator King – Light of My Soul
Black Marble – In Manchester
Savants of Soul – Swell
Kero Kero Bonita – Bugsnax!
Doncat, Bobby Renz – Automatic Teller
Koncept, Brandon Bill$, Max Landry – Freeze
Guerrilla Ghost, Kool Keith – Algorithm Nation 1814
Family and Friends – Amadeus (2020)
Ho99o9 – Beneath the Earths Crust
Clipping – Say The Name
Mondo Cozmo – Come On
Thao and the Get Down Stay Down – Temple
Mike Dillon – Tiki Bird Whistle
Kill Lincoln – Confession Obsession
The Slackers – Nobody’s Listening
Alex Lilly – Amuse Me
2nd Grade – Velodrome
Fusilier- Upstream
Honey Lung – Big
Rolling Blackouts Coastal Fever- She’s There
Amnesia Scanner ft LYZZA – AS Going
Westerman- Think I’ll Stay
Holy Wave – I’m Not Living In The Past Anymore
NZCA Lines – Prisoner of Love
Pottery – Hot Heater
Jason Pyro, Bobbi$upreme – Fiji on Me
Ensiferum – Run from the Crushing Tide
Jockstrap – The City
Mich Cota / Kizis – In Our House

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Glide Magazine announces the release of Stuffy Shmitt’s new album, Stuff Happens, offers exclusive preview of lead single “It’s OK”

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Stuff Happens  

   

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Indie Obsessive deconstructs new Radiator King single “Haunts Me Now”

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“Haunts Me Now” invites dissection. Certainly, the single from Radiator King separates itself from the pack because of the candidness carried in the intelligently written lyrics, as well as the vocal commitment to the sentiment of those lyrics. Still, only by examining some of the individual elements of “Haunts Me Now” can the song be fully appreciated. It isn’t a true dissection, because it is an examination of individual “limbs” and how they cooperate with the rest of the body.

The first example is the 12-second intro and its gentle attractiveness. The guitar tugs at the listener’s attention and sets expectations for the body of “Haunts Me Now.” Then, the vocals enter, and the expectations require a reboot. The voice is not melodically smooth in a manner consistent with the intro. Instead, memories are presented by a gruff voice. The reminiscing explains that while he once was “left black and blue for days,” he can now take on any man here. But for the most part, a memory of the past still “haunts me now.”

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Greesha Music adds Laura Rabell’s new single “The Mirror” to its 75,000+ follower Greesha Love playlist

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Americana / alt-country singer-songwriter and recent breast-cancer survivor Laura Rabell’s new debut, Immortal (named literally two weeks before she was diagnosed with cancer), sounds something like Kelsey Waldon fronting the Old 97’s circa Drag It Up—soulful and downhome vocals sitting atop a dark, yet pleasingly surfy spaghetti-western vibe.
 
Rabell has shared bills with artists such as The Black Lillies and Anne Mccue, and harmonica legend Charlie McCoy (Johnny Cash, George Jones, Bob Dylan) appears on Rabell‘s new record, as do Jeff Thorneycroft & Pete Pulkrabek, rhythm section for ’90s pop-rock sensations The Rembrandts.
 
Lead single / album opener “The Mirror” really sets the tone for the record and is representative of Laura’s writing—smoky, twisty, self-deprecating and almost always in a minor key. The song is about being empowered by rather than ashamed of stereotypical singer/songwriter self-loathing. Really, it’s a journey to self-acceptance through self-loathing, wrapped in some fantastic guitar playing from producer Dave Coleman and driven home with Laura’s always soulful vocals.
 
The song was just added to tastemaker Greesha Music’s 75,000+ follower Greesha Love Spotify playlist. LISTEN HERE