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Red Rum Club is top pick for Riff Magazine’s Tuesday Tracks

Red Rum Club in front of the Hollywood sign in Los Angeles photo by Jordan Daniel Logan
Red Rum Club – photo by Jordan Daniel Logan.

Red Rum Club, “Vanilla” – Red Rum Club is an independent U.K. rock band with a trumpet player. It’s opened for The 1975 and Noel Gallagher, and played the Glastonbury and Isle of Wight festivals.

“Vanilla” has a bass line that sounds a little like the The White Stripes’ “Seven Nation Army,” but a much fuller musical sound, since the band is a sextet. The song is about a lover who leaves because she finds the narrator boring: “She said my darling, my dear/ I’m filled with a fear/ Concerning a flaw that/ Continues to appear/ You’re living for Monday/ Your living is mundane/ Your presence is a killer/ Your flavor: vanilla.”

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Grimy Goods shares the latest single from Sonja Midtune, “Growing Up (For You),” calling it “radiant” and “luminescent.”

“Growing Up (For You)” reveals the intricate cross-roads of Americana that Sonja sits at — opening with the dusty rhythms of galloping drums and the driving gloam of myriad guitars. But it’s also imbued with an ethereal electronica that haunts the empty spaces between its lush instrumentation. 

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Riff Magazine reviews Coma Girls album release show at Grand Ole Echo (Echoplex) in Los Angeles

Los Angeles' Chris Spino (Coma Girls) stands in front of a wall in downtown LA to promote his new album, No Umbrella For Star Flower
Coma Girls – photo by Shane Mackenzie.

LOS ANGELES — Coma Girls played at the Echoplex Sunday night as part of its Grand Ole Echo series, and also as an album release celebration for No Umbrella for Star Flower. It was their first show in three years, and frontman Chris Spino’s first show since getting sober.

If Spino felt any pressure in that regard, he didn’t show it. Dressed simply in a white shirt and white hat, he marveled at being on the Echoplex stage after his years as a bartender there.

“I used to work here,” he told the audience. “And now I’m getting to play here, this is really cool.”

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Guitar World interviews neo-funk producer and multi-instrumentalist, FAREES, and guitarist Leo Nocentelli of legendary funk pioneers, The Meters, about their recent collaboration and profound love for Jimi Hendrix.

There are, of course, ample doses of guitar goodness throughout, most notably on a trippy cover of Jimi Hendrix’s Hey Joe, which sees Farees laying down fierce, wah-soaked rhythms before heading to the outer limits with a turbo-charged solo. And on the widescreen funk masterpiece The Melting, he’s joined by Meters guitar legend Leo Nocentelli, who joyously weaves a colorful quilt of intricate six-string textures.

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