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by Baby Robot Media

Glide Magazine premieres The Wans’ “What I’m Feeling”

The Wans Simon Kerr-Vocals/Guitar Mark Petaccia-Vocals/Drums Thomas Bragg-Vocals/Bass He Said, She Said Glide Magazine What I'm Feeling

Since they formed two years ago, The Wans have been kept with their heavy Nashville rock ethos, while mingling together the classic elements of 60?s 70?s and 90?s rock. Having already opened for artists such as Pearl Jam, Beck and the Black Lips, and their music has been featured on ABC’s Nashville, A&E’s Longmireand USA’s Necessary Roughness.

Their new album He Said, She Said (out Sept. 9) was produced by Dave Cobb (Rival Sons, Jason Isbell) & mixed by Vance Powell (Jack White, Arctic Monkeys). The band wrote over 40 songs for the new record before whittling them down—with the aid of producer Cobb—to the 10 best. “We tracked all the songs in one week at Dave’s studio, which is completely analog,” says lead singer/guitarist Simon Kerr. “He has this old mixing board that some of our favorite albums were recorded on—The Rolling Stones, Led Zeppelin. The sound of that board really guided us on He Said, She Said. We cut it completely live—even the vocals.” LISTEN HERE…

Filed Under: Client Press Tagged With: Glide Magazine

by Baby Robot Media

Under The Gun Review premieres Sara Rachele’s gorgeous new song “Never Come Around”

Sara Rachele press photo Diamond Street baby robot media Diamond Steet Angrygal angry gal

As one of New York City’s via Atlanta, Georgia’s best-kept gems, Sara Rachele (pronounced ra-kelly) is creating the type of music lost in the digital age. Her new record,Diamond Street, produced by Ponderosa’s Kris Sampson (Balkans, B-52?s, The Coathangers), is a lo-fi rock ‘n’ roll effort worthy of Stevie Nicks. Her form of transparent and loose songwriting is ready to capture the hearts of America and beyond.

Today we are bringing you a song titled “Never Come Around” off of the brand new record. Inheriting the lo-fi essence described above, Rachele knocks out a swooning and sweet melody atop a Jeff Buckley-esque guitar riff, sending the listener into a peaceful abyss. LISTEN HERE…

Filed Under: Client Press Tagged With: Under the Gun Review

by Baby Robot Media

The Wans on the Movie Meltdown podcast after their set at Forecastle Festival

The Wans Simon Kerr-Vocals/Guitar Mark Petaccia-Vocals/Drums Thomas Bragg-Vocals/Bass He Said, She Said Movie Meltdown podcast

Attack of the Killer Soundtrack #15 – Attack of The Wans

This we we’re back “live” from Forecastle 2014 as we bring you our continuing coverage including our segment with “The Wans”.

And as we bask in the sun of the grassy knoll, we also discuss… reverberating through the ambionic fluid, who’s that lady, The Kinks, Physical Graffiti, Fried Green Tomatoes, The Beatles, Van Morrison, Richard Pryor, areas to throw Frisbees and take naps, sounding like Jack White, Zombies, Average White Band, The White Album, Antz, Guy Ritchie, a huge Hunter S. Thompson, Jackie Chan’s First Strike, having a reward system, What About Bob?, Gene Wilder, scampering up a tree, with a VHS player, Finding Nemo, picking up litter, writing together, Neil Diamond, riding around in an awesome van, gin and tonic, The Specials, Homeward Bound, Dirty Dancing, The Grand Budapest Hotel, having a giant director’s chair, and questions you don’t want to ask about Milo and Otis. LISTEN HERE…

Filed Under: Client Press Tagged With: Movie Meltdown

by Baby Robot Media

Check out Starbenders’ new song, “Alter Boy,” at Pure Volume

starbenders nico constantine Kimi Shelter - lead vox/lead guitar Kyle Gordon - guitar/vox Aaronious Monk - bass Katie Herron - drums Institution Pure volume alter boy

Starbenders are gearing up to release their debut self-titled EP this fall, and we’re excited to give you a little taste of what to expect by premiering “Alter Boy.” This track is the perfect introduction to the Atlanta-based experimental/alternative/punk/rockers’ intriguing sound. It’s gritty, snotty, and yet surprisingly catchy, and the avant-garde blast of horns at the end propel this song leagues above your average alt-rock number. LISTEN HERE…

Filed Under: Client Press Tagged With: PureVolume

by Baby Robot Media

Chubb Rock & DJ Mighty Mi’s “Same Rock” (Jon Kwest Mix) featured at Daddys Hangout…

Chubb Rock Mighty Mi same rock ep baby robot media

Seminal Golden Era hip-hop artists Chubb Rock and DJ Mighty Mi (High & Mighty, Eminem, Mos Def, El-P) have come together to bring us remix EP Same Rock (out now on Tribute Recordings). “Same Rock” is the first single off Mighty Mi’s forthcoming LP, which is slated to drop later this year, and will feature all Golden Era rappers. The Same Rock EP features the main mix of “Same Rock,” as well as five remixes by some of the hottest DJs in house, moombathon & trap. LISTEN HERE…

Filed Under: Client Press Tagged With: Daddys Hangout

by Baby Robot Media

PopMatters premieres Starbenders’ new single “Touch,” – akin to “Iggy Pop playing 7 Minutes in Heaven with Katy Perry”

starbenders nico constantine Kimi Shelter - lead vox/lead guitar Kyle Gordon - guitar/vox Aaronious Monk - bass Katie Herron - drums Institution

On their Tumblr page, up-and-coming rockers StarBenders describe their sound as akin to “Iggy Pop playing 7 minutes in heaven with Katy Perry.” It’s a bold and playful declaration, one that’s befitting of the group’s youthful presence. However, the Iggy Pop comparison also hints at the punk edge that rears its head throughout the otherwise thoroughly poppy songs StarBenders play. “Touch”, a tune from their forthcoming self-titled EP, is an ideal representation of the band’s style.

Singer and guitarist Kimi Shelter tells PopMatters about the song, “Me and my producer Nico Constantine have an inside joke—if something strikes me as material for a song, I say, ‘I’ll have it on your desk by tomorrow morning.’ We always have a good laugh about it. The day I came up with “Touch,” I asked him what I should write about. He said, ‘You need a song about sex.’

“I’m like, ‘No problem—I know a little bit about that.’ ‘Touch’ was born out of the initial riff you hear at the beginning of the song, and the rest of the music is built around that. It was one of those songs I didn’t have to force—I was just along for the ride. LISTEN HERE…

Filed Under: Client Press Tagged With: PopMatters

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