“The recording process started as an experiment. We had been rehearsing in the valley a few times a week, and the room was set up to record rehearsals. It’s a small room, but things were sounding decent enough, and we thought maybe we should give it a shot ourselves. We did two songs in there almost fully live, and they came out what one might call – listenable. So we continued on for about a year usually two songs at a time. We ended up giving up on the fully live thing, cause going for bass and drums and overdubbing most everything else gave us a lot more control over things. We started taking sessions home to our various home setups and continued building. Eventually we outsourced the mixing/mastering. It’s definitely a bit of a lo-fi thing, but it’s very unique. You’re not gonna find anyone who can get the sound of Le Cañon.” – Casey Shea