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by Baby Robot Media

Substream Magazine premieres “Patterns” by Fort Gorgeous

Billy Libby is a Portland-born musician that’s spent the better part of the last decade trying to find an identity of his own as an artist. The two records he’s released under his own name (2010’s The Little Bird and 2011’s Pitter Patter) saw Libby focusing his energy on the kind smokey folk-music born from a coastal North Eastern upbringing. In this work, you can hear hints of the faint crash of the tide against the shore and the peace that’s found in the serenity found in the quiet of the year’s first snow. He’s shared the stage with the likes of My Morning Jacket and Ingrid Michaelson and has allowed those experiences to bleed into a new approach to songwriting. This new approach was met with a new sound; Libby was creating a kind of lush pop music that begged for a name larger than his own, something that lent itself to the kind of collaborative process that he’s found a new home in — allow me to introduce you to his newest identity, Fort Gorgeous.

“Patterns” is a marvelous introduction to Fort Gorgeous as a concept; the prowess and pristine production of the track lend themselves to Libby’s intricate and hook-laden style of songwriting in a way that feels effortless. The track dances around the idea of a cyclical life; things are constantly changing but they are, somehow, always the same. “Patterns” opens with Libby’s dreamy voice floating above the captivating and dewy synth, crooning lyrics like “These shifting patterns/these changing shapes/Will I bend the rules and freeze them in place?“, bleeding into the tracks most resonant line: “I wanna live in the city, but die in a small town.” When you’re young, you want the adventure and excitement of city life because if something’s always going on, you’ll never feel stagnant. As you grow, you’ll find yourself longing for the simpler things. You want a life with substance, people you can rely on, and a quiet place to lay your head. The things you may have grown to loathe as you yearned for that excitement tend to be the things you want the most once the dust has finally settled. READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

Filed Under: Client Press Tagged With: Substream Magazine

by Baby Robot Media

Stream Honky-Tonk Heroine Leslie Tom’s Hank Williams-Inspired New LP on Noisey

Leslie Tom
Leslie Tom

By now, invoking the name of country music’s most hallowed son, Hank Williams, is a surefire way to either establish your honky-tonk bonafides (if you’re good), or splatter egg all over your face (if you’re not). This impulse to situate oneself within country music’s grand lineage using ol’ Hank’s ghost as a springboard is nothing new; his own friends name-checked him aplenty, and Hank’s own son, Hank Williams Jr. (or Bocephus, if you’re of a certain age) turned it into sort of ham-fisted art form. For better or worse, the eternally 29-year-old’s name has become shorthand for “old school,” for “pure country,” and for “the way things were back in the day”

However, on Texas-raised, Denver-based traditional country singer Leslie Tom’s new album, Ain’t It Something, Hank Williams (her first in 12 years), she draws upon the memory and music of Hank Williams in a way that feels refreshing and new. Her debut LP dropped in 2006. and was followed by two shorter EPs; she’s currently running a PledgeMusic pre-order campaign for the new album, that promises to donate a portion of the pre-sales to Eli’s Fund, a nonprofit run by the Texas A&M University College of Veterinary Medicine & Biomedical Sciences. Ain’t It Something, Hank Williams may have a heart of gold, but to hear Tom sing it, that heart has also been to hell and back.

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Filed Under: Client Press Tagged With: Noisey

by Baby Robot Media

Tiger March’s new single “Nobody” premieres at The Wild Honey Pie’s “Buzzing Daily”

Los Angeles power couple Annie and Matthew Gleason make music together under the name Tiger March, and have just released their newest single “Nobody.” Like a harmonious duet between Beach House and Passion Pit, the spritely single fills your imagination with airy guitar strumming and fairylike synths straight out of your sweetest dreams. Under the surface, however, it tells a story of standing up to someone that hurt you and letting them know they’re no longer welcome. Annie brightly croons, “You’re nobody and you’re not my friend,” over and over, like she believes in herself for the first time. Their LP, Hold Something, drops March 23 and here’s hoping it’s full of deliciously tunes like “Nobody.” READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

Filed Under: Client Press Tagged With: The Wild Honey Pie

by Baby Robot Media

Oginalii’s video “Substance Abuse” featured in PopDust’s Release Radar

oginalii the grey substance abuse tanner gallagher nashville

Taking a song from their most recent release, The Grey – EP, the band has straddled genres with their tracks, including elements of rock, psychedelia, and more. Their new video explores the darker, emotional side of their sound. Be sure to check them out of tour at the following times and places…

March 22 – Funny Ears Fringe Festival – Knoxville, TN

March 23 – The Ante Room – Charlottesville, VA

March 25 – Brighton Bar – Long Branch, NJ

March 26 – The Knitting Factory – Brooklyn, NY

March 27 – Pianos – New York, NY

March 28 – Kung Fu Necktie – Philadelphia, PA

March 31 – Georgia Theater Rooftop – Athens, GA.

READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

Filed Under: Client Press Tagged With: Popdust

by Baby Robot Media

For Folk’s Sake Interviews Charlie Overbey

Charlie Overbey
Charlie Overbey

Though he’s spent his entire life in California, Charlie Overbey’s music is unapologetically steeped in deep Southern influence. Growing into the world of roots rock and alt-country at a young age, Overbey was raised in “the school and church of Johnny Cash” whilst living in an LA barrio called La Habra. All of this crafted the artist’s wide-spanning worldview, which absolutely seeps into his newest album, Broken Arrow. For Folk’s Sake recently spoke with Overbey on his upbringing, his goals, and the adventure so far.

Please tell us a bit about yourself. Where are you from and how did you get started in music? Any defining moments along the path to present day?

I was born in Lynwood, CA–which is basically Compton–near where country music in Los Angeles really had its start with the “Compton Town Hall” which most people don’t know about. I grew up in a barrio called La Habra with predominantly Hispanic people which very much had a strong hand in shaping me and my respect for hard work, folk art, low-riders and tacos.

My mum is from Torquay, England & my old man was a hard-working, Johnny-Cash-lovin’, guitar-pickin hot rodder from Lamar, Arkansas. Growing up, I was surrounded by Benny Hill, Hee Haw, Guinness, Scotch and California, all of which which I grew up to have great love for. I started playing bass and drums at about 13 because I knew that’s where the chicks were. It was about the age of 15 while sitting in drug rehab that I knew I was always going to be a road dog musician and songwriter.

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Filed Under: Client Press Tagged With: For Folk's Sake

by Baby Robot Media

Indie-folk outfit Book Club share their latest single “Space Between the Days” at PopMatters

book club atlanta dust of morning

As much as Book Club’s lineup has shifted and evolved over the years, at its center has always stood guitarist, singer, and songwriter Robbie Horlick. In the ironic social landscape that mainstream “folk” now resides in, much of what represents the genre on the radio today feels more like pretentious pop-rock than anything else. With Horlick at the head, however, the multi-faceted frontman has kept the band humble and, thankfully enough, utterly folk throughout all of Book Club’s renditions. There may be a contemporary twist here or there that carries the music along, to be certain. Yet, this is more along the lines of Cash meeting Ledbetter than Led Zeppelin meeting a banjo.

“Space Between the Days” soaks itself in Atlanta sunshine, instantaneously evocative of the sort of rural landscape that Horlick has been invoking into Book Club’s songs since the beginning. It comes easy, with his plaintive trademark vocals carrying a certain wistfulness that, when paired with the song’s piano, cello, violin, guitar, and drums, makes it feel like a bonafide windswept number in a string band’s set. Accentuating the tune with her own gorgeous vocals, Lauren Love sings alongside Horlick as they paint this Americana-marked picture together. READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

Filed Under: Client Press Tagged With: PopMatters

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