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by Baby Robot Media

2DopeBoyz shares KONCEPT & J57’s “Crazy Is Beautiful” ft. Nevaeh

Koncept and J57 the fuel Soulspazm Fat Beats Records Brown Bag Allstars

Brown Bag AllStars Koncept and J57 are finally releasing their long-awaited EP The Fuel this Friday, Nov. 20th – and on top of the project’s release, the duo are holding a free listening party (w/ free booze, for those 21 and up) the same night.

The EP, produced by J57, is led by the singles “Porcelain” (and the accompanying video), the title track/video, “Live Free” featuring Dice Raw and the latest joint, “Crazy Is Beautiful.”

The vocals on “Crazy Is Beautiful” are provided by 11 year old Portland-native and family friend Navaeh, with keys supplied by Matt Stamm (of MAK3RS) – a production company in which J57 is a part of. Listen to the song below and grab your pre-order of the album here. LISTEN HERE…

Filed Under: Client Press Tagged With: 2dopeboyz

by Baby Robot Media

HipHopDX shares KONCEPT & J57’s “Live Forever” ft. Dice Raw

Koncept and J57 the fuel Soulspazm Fat Beats Records Brown Bag Allstars

With their new EP ‘The Fuel’ due out November 20, Koncept & J57 drop off their new single featuring Dice Raw of The Roots. LISTEN HERE…

Filed Under: Client Press

by Baby Robot Media

2DopeBoyz feature KONCEPT & J57’s “Excitement” ft. Andrew Thomas Reid

Koncept and J57 the fuel Soulspazm Fat Beats Records Brown Bag Allstars

With their EP The Fuel finally dropping tomorrow, Koncept and J57 return with one last leak before you can listen to the project in its entirety, from front to back.

According to J57, “Excitement” was one of the first songs created for the EP, co-produced by Joe “The Grand Concourse” Rogers. The Brown Bag AllStar, Joe and guest vocalist Andrew Thomas are also in an indie group called Tigereye (winning) with their debut LP due out next year. LISTEN HERE…

Filed Under: Client Press Tagged With: 2dopeboyz

by Baby Robot Media

super cool comic-strip review of Aaron Lee Tasjan’s In the Blazes at Curbside Splendor Publishing

Aaron Lee Tasjan Americana In the Blazes Drivin' N Cryin' Kevn Kinney New York Dolls Alberta Cross

Wannabe is a blog series by Chicago area artist Chris Prunckle documenting his trials and tribulations as a wannabe artist. Check back next week for a new posting. READ HERE…

Filed Under: Client Press Tagged With: Curbside Splendor

by Baby Robot Media

Ghettoblaster Magazine debuts KONCEPT & J57’s new electro-pop-infused track “Plane Ticket” ft. The Grand Concourse

Koncept and J57 the fuel Soulspazm Fat Beats Records Brown Bag Allstars

Koncept & J57 create earnest Big Apple stadium bangers that carry a deep emotional resonance while still keeping the party rockin’. They were weaned on crate digging and local deep cuts, but have always kept one foot in the mainstream. It was this deep immersion into NYC’s hip-hop scene that brought the two together.

Lyrically, Koncept delivers intimately biographical rhymes that explore where he’s at now by dissecting his past. His friend and cohort J57 adds his A-game production to the mix in a sweeping tapestry of boom-bap revival, orchestral synths & clever hooks. Now, as an ambitious producer/emcee team, the young veterans are ready to take their epic, relentless sound to the masses.

Koncept, the Queens-raised emcee, made a name for himself in the underground hip-hop trenches, but these days you can find him working with heavy hitters like Ty Dolla $ign, Pharoahe Monche, Big Daddy Kane, Doomtree, Tash of Tha Alkaholiks, Brand Nubian, Royce da 5’9” and Dead Prez. J57, the Long Island-raised/Brooklyn-based producer/rapper, has just as strong a resume—he counts the legendary DJ Premier as a mentor and has assisted the hip-hop architect on songs by Nas, Ed Sheeran and Sam Smith, A-list work that led to his own collaborations with Joey Bada$$, Method Man, Raekwon, Mack Wilds, The Roots and countless other influential artists.

Koncept and J57 met in 2008 while working at Fat Beats, the West Village record store that was the launchpad for so many underground rap artists while it was open from 1993-2010. Later, along with four Fat Beats co-workers, they formed Brown Bag AllStars, a rap collective that impressed with its tough-guy lyricism, eventually turning heads while opening for Ghostface Killah at Atlanta hip-hop festival and proving ground A3C. In the wake of this incendiary performance, Red Bull Music chose Koncept as part of its artist development and discovery program. LISTEN HERE…

Filed Under: Client Press Tagged With: Ghettoblaster

by Baby Robot Media

Immersive Atlanta on The Head: “To even the casual observer, the Head seem poised to blow up.”

The Head atlanta Mike and Jack Shaw brothers Jacob Morrell millipedes it ain't easy

Young bands often struggle to find a consistent sound early in their career, a failing of which the Head has never been guilty. These three young rock and rollers have been as consistent as clockwork in every aspect of their career. While the trio’s new EP, Millipedes, is a noticeable shift from their power-pop past to simple ’90s college rock, their energy and musicianship have not diminished. To even the casual observer, the Head seem poised to blow up. Their tour schedule is as organized as it is rigorous and their social media presence makes them seem equally comfortable sleeping on living room floors as they would be on the cover of GQ. To put it simply, the Head’s got brains.

“Jesus,” the first single released from Millipedes, kicks the five-song EP off with a fun, dirty crunch, and provides us with bassist Mike Shaw’s best vocal performance of the album. Guitarist Jacob Morrell provides an inspired solo which rises above drummer Jack Shaw’s thunderous beat. Unfortunately, most of the remainder of the album repackages the sound of “Jesus” with little of its energy. Apart from the interesting addition of harmonica on “Raincoats,” the middle three songs of the EP sound crafted from ready-made templates.

The album closes with “Pebbles on the Ground,” an anthemic ’80s influenced track that’s better suited for the arena than the garage. The lush guitar and vocals sound as if they were torn from some alternative universe where Bryan Adams collaborated with Darklands-era Jesus and the Mary Chain. Though the effect is somewhat unsettling, it is a refreshing take on rock and roll, and evidence of the care taken in the album’s production. READ MORE…

Filed Under: Client Press Tagged With: Immersive Atlanta

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