A dozen of the most exciting emerging artists in Americana & Roots music. Cover: Sierra Ferrell
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Listen to David Quinn’s “Born to Lose” on Emerging Americana, a playlist by Spotify…
Grateful Web features Tom Freud’s two latest music videos “Freezerburn” and a live performance of “Corrina Corrina” reimagined as “Corona Corona”
Tom Freund, the singer-songwriter and multi-instrumentalist best known for his upright-bass-as-lead-instrument work, has kept active during the pandemic months of 2020.
He is about to unveil two new videos, one for “Freezer Burn,” a track from his most recent album, East of Lincoln, and the second for a new adaptation of an old blues song, “Corina Corina,” re-titled “Corona Corona.”
Adobe and Teardrops debuts Martin Ruby’s new track, “California Divorce,” calling it a “timeless song of resignation and disconnection.”
If you’ve been around long enough, you may also know Ruby as Marco North, a mainstay of Manhattan’s Lower East Side in the ’90s. Heaven Get Behind Me, out November 20th on WhistlePig Records, is North’s first release in some time — and he’s lived enough for four lifetimes since then.
“Way back in the 90s I was playing tenor sax in a surf-punk band called Spitball. We were known as ‘the greatest unsigned band in the Lower East Side.’ And hey – Joey Ramone was at some of our shows at CBGBs! I’ve had a long and nutty road since those days, but the horn section in this song took me right back to that glorious, reckless past. I stood on a chair in our Moscow living room and played my heart out. I was right back there.”
The Bluegrass Situation premieres Josh Merritt’s new song “Tonya Jo” from his forthcoming studio debut, Reynolds Station
Ditty TV debuts Martin Ruby’s new video for “Kodachrome Shangri-La”
Martin Ruby (aka Marco North), is getting ready to release his debut debut album, Heaven Get Behind Me, this Friday, Nov. 20, on WhistlePig Records. Written on a 100-year-old parlor guitar, and recorded in a Soviet-era living room on a collection of vintage instruments, including an 1887 August Pollman banjola and a 1929 Selmer tenor saxophone made in Paris. Eleven tracks wrestle with life’s messiest questions: examining regret, memory, religion, love, mental health.