Search Results for: Девятаев—Девятаев фильмы которые уже вышли фильм тут >>bit.ly/devataev-film-2021

Acid Stag streams Abhi the Nomad’s new LP Marbled

Last week we featured this very cool tune from an artist out of Austin called Abhi The Nomad, and while setting that up I discovered he had also just released a whole new album as well – that’s a win for us!

It’s called ‘Marbled’ and it was written across 10 cities throughout 4 countries, and while he may not have had the best experiences along those travels, the music he has created is surely worth all of it. He’s delivered a very generous 12-track collection smooth hip-hop/rap/funk/RnB/soul tunes, and it is very much worthy of your time and attention. READ MORE…

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by Baby Robot Media

mxdwn Premieres “Multilayered” New Song “Look Back” by DEGA

Kalen and Aslyn Nash are a married couple who have spent time all over the world together and now have a new music group called DEGA. The synth-pop duo recently toured with Washed Out and that is a good place to start when describing their sound. Today we have the premiere of a new song from the band called “Look Back.”

The song consists of layers of synth melodies piled high, creating a dynamic and unforgettable sound. “Look Back” was a vibe thing,” said Kalen. “It didn’t really have a special story or meaning. It started as a bass line. The lyric says, ‘Look Back if you walk away, if you walk away I’ll be gone,’ which creates a word story, but that came secondary. The lyrics on this one fell into place after the music was already a thing.” READ MORE…

by Baby Robot Media

PREMIERE: “LET’S GET OUT OF HERE” BY JAMIE MCLEAN BAND

In the midst of a cold and dreary winter, and just when the world-famous weather-forecasting groundhog’s shadow has predicted that there’s no end in sight, guitar-wielding blue-eyed soul man Jamie McLean comes through with a little ray of sunshine with his new single, “Let’s Get Out Of Here,” a modernized boy-meets-girl story. The tune is featured on McLean’s forthcoming album, One And Only, out February 23rd.

“A fella is interested in a lady. There’s some dancing. Her friends are around to judge a bit. There’s so more dancing. He proposes that they take this party elsewhere,” McLean explains of the song. “It’s funny. When I started this song it had almost a reggae feel to it. I was working with Brett Dennen at the time and almost thought about giving him the song instead of recording it myself,” he continues. “I kept hearing a sax solo on this one so I called up my buddy Jeff Coffin from Dave Matthews Band. He totally kills it! Perfect summer vibe!”

As it happens, the band relied on their drummer to keep them focused on the summery vibe. “He played the entire song with a whistle in his mouth. You can hear it at the very end,” McLean reveals. “We kept asking him ‘what time does beach volleyball start?’ By the end of the song he was drooling and looked like a Saint Bernard,” he adds with a laugh. “It kept the whole song beachy and fun.”

by Baby Robot Media

Interview | FFS Chats with Kellen of Troy about Making Music, Meeting Fans, and Getting Sweaty

Nashville indie folk-rock artist, Kellen Wenrich, once found himself a fiddle player in Apache Relay. Now, the multi-instrumentalist begins his solo career with a debut LP, Posthumous Release (out 16 February). Wenrich has performed with Jenny Lewis, Mumford & Sons, The Wild Feathers, G. Love, The Devil Makes Three, JP Harris, rayLand Baxter, Gill Landry, Desert Noises & more. His Sad Bastard EP was recently hailed by NPR as one of World Café’s “Indie Discoveries Of 2017“.

KoT’s Posthumous Release finds Wenrich mellow, focused, and rich with realization. The impassioned new record employs situational irony, with self-reflective and somber lyrics that are often defied by cheery, blissful and breezy indie-folk countermelodies. He pens parables from personal and professional life and backs up his vulnerable confessions with dense arrangements.

As Wenrich gears up for his February release, he was kind enough to take a break and share the origins of Kellen of Troy, and what he hopes to accomplish in the near future.

Can you tell us about your music and how Kellen of Troy got its start?

I make folk-pop-rock from Nashville, Tennessee. I’ve been playing music in various roles since I was a kid, but I started writing and performing as Kellen of Troy after an old band and an old relationship fell apart simultaneously. KoT started as a practice in self-assuredness, but I began liking what I was doing and thought it deserved to be heard, so I started recording and playing shows.

How do you engage with your audience?

I love talking and getting to know fans in person, especially if they don’t realize I’m playing in a group they’re a fan of. One of my favorite things to do is get fans on the guest list to shows I’m playing, if they don’t have a ticket or can’t afford one.

by Baby Robot Media

Destroy/Exist premieres “Melting Over You” by Beechwood

arrying a lot from the psychelic garage rock of the sixties and the genre’s resurgence which happened in the eighties, NYC’s Beechwood have started the year with much confidence, and a brilliant new album.

Although the recently released Songs From the Land of Nod deserves the listener’s attention in its entirety, and although it’s a brief record which clocks at just a bit over 32 minutes, the album without a doubt sounds capable of producing more than enough singles and highlights.

Beechwood move within the limits of their hometown’s very rich punk rock history, so names are going to be dropped, and the comparisons will be inescapable. Whether one perceives their sound as a more glam-oriented version of Television, a more intricate version of the Ramones, a dirtier version of the Blues Magoos or just something that could have jumped right out of the original Nuggets compilation, the trio’s gritty sound is impressive enough to speak for itself and nail its audience down.

Melting Over You is one of those tracks which convey that original New York garage punk feel, and while we’ve heard a whole lot of its kind in the past, it’s not very common, still, much welcome to encounter these days. READ MORE…

by Baby Robot Media

Influences: Great Peacock

Nashville’s Great Peacock?? comprised of lead singer and guitarist Andrew Nelson, guitarist Blount Floyd, drummer Nick Recio and bass player Frank Keith IV ?? are fixtures in the Southern festival circuit including Shakey Knees, they’ve shared stages with an abundance of equally-minded noise-makers, including Colter Wall, Hurray for the Riff Raff, Cage the Elephant, American Aquarium, Margo Price, and Jonathan Tyler.

Nelson recounts the birth of the band. Late one night, when they were drunk on Bushwackers, Nelson, “…jokingly said we were going to start a folk band, and we wrote a song called ‘Desert Lark.’” Close friends and family raved about what they had nonchalantly created. The band soon became a reality in early 2013, and their debut album Making Ghosts arrived two years later.

Having grown up in a rather sheltered Pentecostal household in the suburbs of Birmingham, Alabama, Nelson tuned into the only secular music he was allowed to listen to: the local oldies station. “What really got me into music is the blues. When I was a teenager I really liked John Lee Hooker, Freddy King, BB King and Buddy Guy. I think you can hear these influences in the new songs in some ways. At an early age, I learned how hitting the right chords at the right times could really mess with somebody’s emotions.”

It wasn’t until he was 14 years old that he heard Lynyrd Skynyrd’s “Free Bird” for the first time, and it changed everything. “When I heard the guitar solo, I freaked out. I went downstairs and started playing my brother’s guitars when he wasn’t home. I taught myself how to play, because I loved that song so much. I would get my ass kicked for breaking his strings, though. I had to learn fast, and I knew I wouldn’t get a guitar from my parents if I didn’t already show some interest or effort.”