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Listen: Captain Americana playlist for 11/23/20

Jade Bird Captain Americana Spotify playlist weekly baby robot media brm folk roots blues soul country alt-country bluegrass
Album art: Jade Bird

Listen to this week’s Captain Americana Spotify playlist featuring:

Juana Everett – Drifter of Love
Andrew Bird – Andalucia
Sara Rachele – Mr. Tambourine Man (Bob Dylan cover)
Jade Bird – Headstart
Melissa Erin Music – Settle on Down
Drew Holcomb and the Neighbors – You Want What You Can’t Have – Live at the Tennessee Theatre
Spencer Burton – Nothing’s Changed
Stuffy Shmitt – Sweet Krazy
James Houlahan – As It Is
Josh Merritt – Reynolds Station
David Quinn – I Hope I Don’t
The Armadillo Paradox – Austin
Martin Ruby – Fellini Was Dying (Drunk in the Afternoon) – WhistlePig Records
Wayne Graham – Tapestry of Time (K&F Records)
Ned Hill Music – I Refrain (WhistlePig Records)
E.Z. Shakes – We Want Answers
Madison Cunningham – The Age of Worry
Mattias Lies – Maze of Blues
Bill Monroe – I Saw the Light
Sergi Estella – 12 Pack Blues
Valley Maker – Mockingbird
Rachel Brooke – It Ain’t over ’til You’re Crying
Shemekia Copeland – She Don’t Wear Pink
William Prince – When He Cometh
Skyway Man – Atom Bomb
Bones Owens – Lightning Strike
Sam Williams – The World: Alone
Edan Archer – Not so Great Again
Andrew Grimm – Don’t Die for Their Money
Cody Belew – A Thousand Miles from Nowhere (Dwight Yoakam cover)
Hollie Rogers Music – City of Colour
The Prescriptions – (What’s So Funny ‘Bout) Peace Love and Understanding

 

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The Deli L.A. highlights Sleep Still’s new video for “The Panoramic” calling it “human, vulnerable, and empowered at once”

Dream-pop music is often judged by the vivid sonic worlds it can create, crystallized sounds that take shape as you listen, by that standard Sleep Still’s new song “The Panoramic” flows with elegance and swells into a wonderful soundscape. Using sharp synth sustains and liquid-like electric guitars buzzing, Sleep Still paints the track as it rides a mighty beat and follows the refined vocals of lead singer Mariam McCarthy towards the song’s whirlwind instrumental finale. 

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Nashville.com debuts manic new Stuffy Shmitt single “Sweet Krazy” ft. Aaron Lee Tasjan & Brian Wright

stuffy shmitt aaron lee tasjan brian wright chris tench nashville rock roll roots americana sweet krazy crazy manic depression bipolar mania psychology music publicity PR stacie huckeba

Nashville.com has premiered the energetic new song from Stuffy Shmitt’s first record in eight years, “Sweet Krazy.” Why eight years? Because, well, he went crazy.

“I was living in New York and my brain was on fire. I got that bipolar thing. I was bouncing between full-blown depression and a jailbreak manic buzz rush. After nearly a decade of getting 86’d from bars in the West Village, I made it to Nashville six years ago and finally got my head screwed on tight enough to make a new record. When I first moved to Nashville, my New York City depression moved with me, but I’ve bounced back hard now, who knows why—the caliber of players down here maybe, or the East Nashville community that adopted me and my music.”

The new album, Stuff Happens, finds Shmitt not quite exorcising his demons, but exercising them—wrestling with them until they’ve been knocked around enough to be manageable. “I didn’t realize until the record was finished and my wife, Donna, pointed it out,” Stuffy says, “but this album is all about trauma. Disasters big and small. It was an accident, though. It was all subconscious. I guess, eventually, that shit’s gotta come out.”

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Vents Magazine interviews folk artist James Houlahan about his new record, Ordinary Eye, and the deepening political & cultural rift in America that inspired it

In 2018, L.A. folk artist James Houlahan found himself on the road playing shows to a deeply divided America. Social and environmental issues had created rifts that stretched nationwide, so he began writing new material to reflect this. The resulting album, Ordinary Eye (out Nov. 20), doesn’t offer quick fixes to encroaching authoritarianism or the climate crisis, but it’s a heartfelt, often gorgeous mediation—the soundtrack to a world in tumult.

The record was produced by Fernando Perdomo (Jakob Dylan, Echo in the Canyon) and features drummer Danny Frankel (Lou Reed, Fiona Apple) as well as violinist Scarlet Rivera, who played the unforgettable fiddle parts on Bob Dylan’s 1976 album Desire, most memorably on “Hurricane.”

Vents had a chance to catch up with Houlahan who took some time to offer insights into the recording of the album, the writing process and the strange experiences that led to its creation.

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