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HESS shares new album, Lamplight Motel, at Glide Magazine ahead of Friday’s release

      

 

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Listen: State of the Art Spotify playlist for 10/5/20

Album Art: Tkay Maidza

Listen to this week’s State of the Art Spotify playlist featuring:

8 Inch Betsy – Arise (Baby Robot Records)
Amyl and the Sniffers – Gacked on Anger – Live At the Croxton
This Way to the EGRESS – Gravedigger
The Nude Party – Lonely Heather
Stuffy Shmitt – Jim’s Dad
Mallrat – Rockstar
Lazerbeak – Feels
A$AP Ferg, Nicki Minaj, MadeinTYO – Move Ya Hips
Left at London – Choke
Tkay Maidza, Kari Faux – Don’t Call Again
Misty Boyce – story of skin
Anna of the North – Someone Special
Wyatt Blair, $ugar Bae – Gimme Gimme
EG Vines – Them
Cayley Thomas- Midnight Hours
*repeat repeat – Wind in My Sail
Ron Gallo – PLEASE DON’T DIE
Tuk Smith & The Restless Hearts – Lookin’ For Love, Ready For War
Bob Mould – Siberian Butterfly
Death Valley Girls – Under the Spell of Joy
Pup – Rot
Skegss – Fantasising
Downtown Boys – L’Internationale ( Sub Pop)
Night Birds – Barred Out
Thurston Moore (Sonic Youth) – Cantaloupe
Scout Durwood – Sexually Implicit (Blue Elan Records)
Black Geez, Eto, Crissy – Streets All Day
Rakim Ali – Nosferatu
Blu & Exile – Blue
Injury Reserve, Jockstrap – Robert
Nuvolascura – For Their Own Diversions
Boneflower- Tangled
Tough Age – My Life’s a Joke and I’m Throwing it Away
Year of the Knife – virtual narcotic
Constant Elevation- Krs Two
MIKE- love supremacy
The Budos Band – Long in the Tooth

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Listen: Captain Americana playlist for 10/5/20

Album art: Juana Everett

Listen to this week’s Captain Americana Spotify playlist featuring:

Wayne Graham – Pay Phone – single edit (K&F Records)
Katie Pruitt – Look the Other Way
Ned Hill – Take Me out of This World(WhistlePig Records)
Stuffy Shmitt – Jim’s Dad
Tender Creature – Count to Five
Laura Rabell – Are You Feeling
The Savants of Soul – Something
Joe Stamm Band – Good Times
Juana Everett – Until the Sky Ain’t Blue
GoldenOak – Maple Spring
Sammy Kay – Methamphetamines
Sam Morrow – Round ‘n Round
Anna Ash – Dream a Little Dream of Me
Earl St. Clair – Sober
Emily Keener – Do You Love Me Lately?
Tre Burt, Leyla McCalla, Allison Russell, Sunny War – Under the Devil’s Knee
Holy Motors – Trouble
Tim Heidecker – Fear of Death
Bettye LaVette – Black Bird
ERIC SELBY – Anxious Zen
PAPA ROSKO – Folsom Prison Blues (Johnny Cash cover)
Freddy & Francine – What Did You Do With My Love
Thomm Jutz – Pieta
Mike McClure – Your kind of Blue
Megan and Shane – Daffodil
Steep Canyon Rangers – Honey on My Tongue
James Coates – One Last Ride
Paisly Fields – Other Boys
Karen Jonas – Pink Leather Boots
Sally & George – Fish for Free
Caamp – Officer of Love
Bronte Fall – Freeway High

 

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The Big Takeover announces the release of James Houlahan’s new album, Ordinary Eye, debuts lead single “What Is Our Love”

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“It’s more efficient to be without pain”—for years, this mysterious line was floating around inside James Houlahan’s head. It wasn’t a voice that the L.A.-based indie-folk artist immediately recognized as his own. Still, it intrigued him. “It was something I could almost hear Bonnie ‘Prince’ Billy sing,” Houlahan says. “It was much more snarky and tongue-in-cheek than anything I’d written before.”

Eventually, the moment struck and from these words a fully formed song materialized. “What Is Our Love” is the lead single from Houlahan’s new record Ordinary Eye, set to release on November 20th. The song delivers its sly, sarcastic comedy in the most disarmingly earnest musical packaging.

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Ditty TV debuts David Quinn’s NEW video for “Born to Lose,” whose “bluesy swagger makes the lyrics sound even more haunted.”

Indiana-based David Quinn is gearing up to release his sophomore LP, Letting Go (out Oct. 23). Most of the songs on his second solo album came to him during a ramble around the Midwestern countryside. The barnstorming “Thunderbird Wine” and woe-is-me “I Hope I Don’t” integrate a wide range of influences—from Texas outlaws to Bakersfield badasses, from Southern rock heroes to Nashville cats. Wherever he rambles, however, Quinn remains rooted in Midwestern soil, “It always comes back to John Prine,” he says. “I got started in the Midwest, so he’s somebody I love.”

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Radiator King’s Adam Silvestri talks cigars and music on the The Straight Cut podcast

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Radiator King’s Adam Silvestri was featured on the The Straight Cut podcast where they talked about SST Records, creating your own rules, and his new album Unborn Ghosts. 

At the core of Unborn Ghosts’ evolutionary sound is a breakthrough in Silvestri’s writing process as well as a new sonic approach that seamlessly fuses the disparate styles he once compartmentalized. Following the release of Radiator King’s last full-length, 2017’s A Hollow Triumph After All, Silvestri began experimenting with new sounds and new ways of writing. Instead of working from home, starting with chords and melodies to which he’d later write lyrics, he would spend hours reading, researching and freewriting at the Brooklyn Public Library branch near his place in Bedstuy.
 
“When you’re on tour, you collect so many recommendations from the people you meet—Moby Dick, Kierkegaard’s Fear & Trembling,” Silvestri says. “As a songwriter, you’re an investigator, and you’re trying to figure out any sort of clue that’s gonna lead you in some new direction. So I would read all these books and just free write—turn off my intellect, get logic out of the way, let my subconscious flow and just see where it went. And then the next day, I’d revisit what I’d written and start to collect lines that stood out. Eventually, I’d notice little threads developing, parts that fit together, and maybe by the end of the week I’d have a new song. I like to think the song is already out there somewhere, you just have to uncover it like an archaeologist. You’re digging and, all of a sudden, there it is. You have to have faith in that process. If you don’t, you’ll never have the patience to stumble on what you’re trying to say.”
 
Musically, new tracks like “Gamefighter,” “Raylene” and “Haunts Me Now” began to synthesize Radiator King’s varying sounds into a cohesive whole. “I used to have my heavy songs, my ballads and my folk songs,” Silvestri says. “‘Raylene’ was the first one where I started to depart from that and combine different structures and sounds within the same song. It really laid the foundation for the new record.”
 
Check out Adam Silvestri on The Straight Cut podcast.