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French Outlet, Direct Actu, Features Michelle Billingsley’s “Once In A While”

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It was in Chicago that Michelle Billingsley caught the eye of legendary producer Brian Deck, who recorded and played drums and percussion on her debut album Not the Marrying Kind.

Michelle Billingsley is one of those artists who in a few notes transports us to another world, another continent and another era. We were seduced by this new single, Once in a While, which is for us a magnificent ballad with folk and Americana hues. In addition, the little duet on the choruses adds a kind of nostalgia and depth to the title.

READ MORE…

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“Greesha Love” Spotify Playlist Features Gypsy Outfit’s Song “Musician’s Story”

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Musician’s Story”—a standout track from the band’s forthcoming debut album 1969—spins the tale of a vagabond kid raising himself as he travels the country alone searching for his place in the world. Anchored by shimmering Hammond B3 and some achingly beautiful slide-guitar work, it’s a modern roots-rock classic. 

The playlist features “melodies that will make you fall in love,” and is curated by Belgian singer Greesha.

LISTEN HERE

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Bandwagon Magazine Reviews David Burchfield’s New Record, “State to State”

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Whether it’s your first time going on a hike since lockdown, or an anticipated camping trip, David Burchfield’s album State to State makes for a proper soundtrack to a mountain getaway. He combines elements of Americana, Country, and traditional Celtic to set the scene for a night around the campfire.

Burchfield utilizes acoustic guitars, fiddle, and percussive brushes for his Americana and western folk vibe and continues to set the mood by singing with a vocal quality that reminds the listener of Woody Guthrie.

Songs like the opening and title track “State to State” show that his folk style is his fluent language, but he isn’t afraid to change things up a little bit. Burchfield brings a harder edge with “Way It Goes,” reminiscent of Fleetwood Mac’s “The Chain,” by using a more rock and electric sound. He also includes an instrumental, a cover of the old-time fiddle tune “Midnight on the Water.” READ MORE…

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Listen: Captain Americana Spotify playlist for 6/29/20

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Listen to this week’s Captain Americana Spotify playlist featuring:

Cassandra Violet – Superbloom
Lake and Lyndale – Still Here
Laura Rabell – Immortal
Sara Rachele – Dugan’s Doorstop
Gypsy Outfit – Musician’s Story
Radiator King – Gospel
Rev. Greg Spradlin – Stainless Steel
Michelle Billingsley – Kangaroo Court
David Burchfield – By the Coast
Joe Stamm – Empty Places (Live)
Tender Creature – An Offering
E.Z. Shakes – Catch Hell
The Little Miss – You Can Run (Jam in the Van)
Couvo – Where’d You Been?
Wwaylon – Chokin On Tears
Migrant Worker – Wheels to the Ground
Old 97s – Turn Off The TV
Lucinda Williams – Man without a Soul
Steve Earle and the Dukes – Devil Put The Coal In The Ground
Carolina Story – See You When I See You
Cass McCombs, Steve Gunn – Sweet Lucy
Dixie Chicks – March March
Shovels and Rope – Carry Me Home (Acoustic Version)
Pharis and Jason Romero – Hometown Blues
Special Consensus – Looking Out My Back Door
Jess Williamson – Wind on Tin
John Baumeann – Next Ride Around the Sun
Don Bryant – Is It Over
The Jayhawks – This Forgotten Town
Josiah Johnson – False Alarms
Prinz Grizzley – Magdalena

Or check out the YouTube Playlist:

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Metal Injection premieres Goliathan’s new music video for “Albion”

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Goliathan‘s music is plenty devastating on its own. Though when coupled with bleak and macabre imagery, Goliathan only seems to get more destructive. The band is now streaming their track “Albion” alongside a music video directed by both Ashley Joncas (Rob Zombie, Marilyn Manson) and the band themselves.

“There’s a narrative to Albion where this mythical beast comes to correct something humans have done,” said guitarist Kevin Cogill. “We don’t define exactly what, just that we were taking things too far like we always do. Who knows? Maybe there are civilizations that existed that we don’t really know about because they were wiped from the face of the Earth without a trace. We don’t want to over-tell the story. It’s more like scenes from history—past and future.” READ MORE…