Search Results for: Дизайн человека профиль Дизайн человека Расшифровка ❤ metahd.ru <<<

The Bitter Southerner streams Violet Delancey’s new album Columbia Road

Violet Delancey is, by her own description, a California girl who became “obsessed with Dolly Parton.”

That obsession uprooted her to Nashville, where she pursued the country-music dream. Her first album, 2016’s “When the Clock Strikes Midnight,” and it was a worthy homage to her musical inspirations. But her second, “Columbia Road,” which will be released in one week on May 25, is another matter entirely.

The pairing of Delancey with veteran producer Andy LeMaster, a co-founder of the longstanding Chase Park Transduction studio in Athens, Georgia, has resulted in a record that seems doubtful to get airplay on straight country radio, but dang sure should capture the attention of anyone who values sonic exploration. With LeMaster at the helm, Delancey has created a record on which the country is clear in her voice, but the lyrics conjure fairy tales in a sonic context that sounds more Kate Bush than Florida-Georgia Line. It even, at its best moments, recalls Emmylou Harris’ groundbreaking “Wrecking Ball” album. READ MORE…

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

by Baby Robot Media

The Oklahoman interviews John Calvin Abney about his new LP Coyote

John Calvin Abney counts sitting down at a well-tuned piano as one of life’s greatest pleasures.

So, even when he was penning songs for his new album on his guitar in hotel rooms or the back of his best pal’s van, the Oklahoma singer-songwriter and musician knew he would eventually pair many of his wistful lyrics to the tinkling of keys.

“Piano opens up a whole different world of color for a musician. … It’s funny because I wrote more than half of the songs on the guitar, but the transition to piano was pretty seamless because I felt like they were going to be those kind of songs in the first place,” Abney said during a recent phone interview shortly after rolling back into his home state after weeks on the road. READ MORE…

by Baby Robot Media

The Wild Honey Pie debuts DONCAT’s new single “Everybody Wants to Shake Your Hand”

Worth in the public eye versus self worth; this is the grout between the bricks in Doncat’s forthcoming album Preservation of the Spirit. Doncat, known to some as Duncan Neilson of San Francisco, takes us on a journey to examine the pursuit of fame as a pursuit of personal growth. Jiving off of a long line of Californian folk ringers and counterculture singers, Doncat’smusic incorporates both folk and rock textures in his pursuit to unpack the American Dream.

“Everybody Wants to Shake Your Hand,” is atmospheric and guitar-heavy. Sweet, textural organ pads and subdued earthy sounds mingle with Doncat’s cynical lyric. “No more waiting in a line to help yourself but there is none left; it is all a joke in the end,” he delivers. This sharp criticism can be found within the rest of the melodies on Preservation of the Spirit, out May 18. READ MORE…

by Baby Robot Media

John Calvin Abney named one of Rolling Stone’s “10 New Country Artists You Need to Know”

John Calvin Abney – Photo by Dylan Johnson.

If you’ve seen John Moreland live, you’ve likely also seen John Calvin Abney, who spends part of his time onstage performing alongside the fellow Oklahoman singer-songwriter. But Abney’s been making his own music for a decade too, with his subtle, introspective skills culminating on his newest LP, Coyote. Written after weathering some personal losses – of a friend (the artist Chris Porter) to an accident, his grandmother, a relationship – it’s a tender set of songs about the dark side of growing up and realizing that these realities will keep getting sharper and more urgent as time goes on, but without the music resting on melancholy. Instead, there’s wisdom in acceptance. READ MORE…

by Baby Robot Media

PopMatters premieres Fort Gorgeous’ new single, “Round and Round”

Billy Libby is Fort Gorgeous. Though the Portland artist has already released two albums, Libby’s The Bottom of the SeaBottom of the Sea EP is the first with which he uses the moniker. It was harvested by his pursuit to develop something more than he already had, removing constraints his real name gave him following the development of his folksier past productions. Fort Gorgeous represents a totally different Libby in regards to his sonic output, somewhere between the worlds of shimmering indie pop and lushly orchestrated rock.

For his stripped down take on “Round and Round”, though, Fort Gorgeous adopts a sound closer to Libby’s rootsier beginnings. It sets itself apart from his previous work well enough, focusing more on sparse acoustic instrumentation as it is married to one case of persistent, rhythmic synth. It’s decidedly far different from the arrangement featured on The Bottom of the Sea, offering a different kind of emotion for listeners to sink into. It’s from off of Fort Gorgeous’ follow-up EP, appropriately titled Smaller, which is set to release sometime this autumn.

Libby tells PopMatters, “When I was making the EP, The Bottom of the Sea, I was really torn between how I wanted to present these songs. I eventually landed on putting my energy into a full on rock record with dense production, but promised myself I would do a version of the songs that was a little more stripped down and acoustic guitar driven, as that’s how the songs were written.”

“This song started with an acoustic guitar part that I spent forever crafting. I worked on this version with producer, Sean Morin and engineer Noah Cole. We made this stripped down EP up in Maine over the winter. It was freezing and isolated and I feel like that comes through on the tracks.” READ MORE…

by Baby Robot Media

No Depression Shares Title Track Off Lyman Ellerman’s Forthcoming Album

Teaming up with long-time collaborator Jason Morgan, Ellerman settles into a rather dark place and allows himself to feel each emotional punch as I Wish I Was a Train barrels right for the heart. “The clock on the wall echoes out of time with your steps down the hall/And each tick of the tock is like a bomb going off, reminds you how far you’ve gone wrong,” he wields on stunner “Nobody Knows You (Like I Do),” pacing the album with the delicate balance of gloom and hope.