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SONG PREMIERE: CHARLIE OVERBEY’S “SHAME” MATCHES PUNK FLAIR WITH RIGHTEOUS STORYTELLING

Charlie Overbey
Charlie Overbey

Charlie Overbey may be a lifelong Californian, but his songs are steeped in the timeless traditions of the American South. After years of touring the world supporting acts ranging from David Allan Coe and Blackberry Smoke to Social Distortion and Motorhead, Overbey slowly amassed a collection of introspective original songs that transcend the endless rock & roll party, taking a stark, undeniably honest look at some of life’s most gritty moments. The result is Charlie Overbey’s new LP, Broken Arrow.

A triumphant collection of road-hardened alt-country tunes born of Overbey’s upbringing in what he calls “the school and church of Johnny Cash,” Broken Arrow features guest appearances from The Mastersons (who also play in Steve Earle’s band The Dukes), Miranda Lee Richards (who sings on duet single “Slip Away”) and Eddie Spaghetti of the Supersuckers, and was produced by Ted Hutt who recently won a Grammy for his work with Old Crow Medicine Show, and has helmed multiple albums by Lucero, The Gaslight Anthem, Dropkick Murphys and many more.

“I’ve never worked with anybody like Ted,” Overbey says, reflecting on the sessions. “This is the first time I’ve ever let go and trusted somebody else as a partner in my songs. He really pulled some stuff out of me that I had not planned on delivering. Honestly, these songs can be hard for me to sing—they come from a deep, real and sometimes dark place.”

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Ross Cooper Premieres New Song “All She Wrote” on No Depression

Ross Cooper
Ross Cooper

Former professional bareback rider Ross Cooper is prepping the release his debut album, I Rode The Wild Horses, on March 9th. Produced by Eric Masse (Miranda Lambert, Rayland Baxter), I Rode The Wild Horses features contributions from Erin Rae on vocals, Jeremy Fetzer of Steelism on guitar, Eli Beard on bass, Tommy Perkinson on drums, Skylar Wilson on keys, and Eddy Dunlap on pedal steel. Today, Cooper shares another track from the forthcoming record entitled, “All She Wrote.” Penned by Cooper and Benjy Davis, the layered and airy, yet somber,  “All She Wrote” strikes a chord, as it reminds us of the importance of not taking the people in our lives for granted lest we lose them forever.

Cooper relays the story behind the song, “That morning I left the house for our write and my girlfriend had left me a really nice and sweet note.  A positive affirmation.  I was running a little behind, and she leaves a lot of notes like that for me, so I just kind of put it in my pocket and carried on. I remembered it when I was pulling into the parking lot and took it out and read it.  It made me feel really lucky for what I had.  When we sat down to write, I couldn’t help but think, “What if that note that I’d shoved in my pocket hadn’t been a good one?” and that was the idea for the song.  It wasn’t so much a retelling of what happened, but a reflection of what could happen if you don’t take care of the ones you love.”

“If you ever loved me, let me go/Well, I read it about a thousand times or so/No second chances/No X’s no O’s/No maybe baby hold out for hope/And that was all she wrote.” 

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REVIEW: Kellen of Troy’s “Posthumous Release” is Very Much Alive

Kellen of Troy
Kellen of Troy

Kellen of Troy’s Posthumous Release (Baby Robot Media) is full of tongue-in-cheek eclecticism and variety. Front man Kellen Wenrich, formerly the fiddle player in Apache Relay, launched this, his solo debut, on Friday February 16.

“Rule Your Heart” features immediately catchy rhythms and violin over wry lyrics like “all alone on the American throne without you as my first lady.”   “So You Found Yourself A Rockstar” is a throwback to the California of the Beach Boys, with pop rhythms and collective backing vocals.

“Great Heartbreaker” will be the centerpiece of this album for Americana fans with its country guitar and banjo, while Kellen sings “she’s a great heartbreaker” and the lyrics become more emotionally direct. And then there is the title track, which is placed at number nine in the set list, and continues to exhibit Kellen’s more sorrowful offerings: “in lieu of any flowers try to give your love away.” The song “it’s so much worse” “When You Don’t Hear Good-bye” again expresses more genuine anguish with its slower tempo and piano melodies. Overall the songs on the album wax satirical, effectively shaking you up from any thought of dwelling dramatically on lost love.

Kellen of Troy’s album maintains a lively juxtaposition of the flippant and frivolous way we handle life’s deeper challenges.

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SONG PREMIERE: SIR CANYON DELVES INTO THE AURAL & VISUAL WITH DESERT-TINGED “THINK YOU’RE AMAZING”

Sir Canyon
Sir Canyon

Ventura Skies is an unexpected return from a songwriter who just a few years ago thought he might never make another album again. But a romantic breakup and the death of his father to cancer coaxed music out of Noah Lamberth as he dealt with the loss & hurt. “The best way to deal with the pain is to verbalize it. But for me that comes out in song. It’s kind of like therapy. The songs started pouring out of me.”

The music was a natural extension from his California Country-styled band, Hank Floyd. That was the group that Lamberth had founded in the early-2000s. Though the act opened up for such artists like Willie Nelson, Brad Paisley, and Tim McGraw, they missed the commercial brass ring. (One major label in Nashville said they were too ahead of their time and wouldn’t know how to market them.)

Hank Floyd was a proving ground and a working lab to write songs and sing on the road. But when it ended, Lamberth thought that might be it for music. Working on several documentaries and traveling the country shooting TV shows, Lamberth seemed content to pursue a new calling via a new medium. But as he wrote songs on the road or from his home in Los Angeles, he began to share them with his music friends. One particular colleague, musician and producer Andy Davis, was excited about the new inspiration and convinced Lamberth to record an album. The sound had evolved some and Noah and Andy jokingly called the style a fusion of Mexican/surf/country. But these new songs were no joke, and they captured the yearning desire of an artist inspired with a second chance.

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DEGA is featured in The Wild Honey Pie’s “Buzzing Daily”

Like a sip of lemonade on a hot California summer day, indie music doesn’t get much more refreshing than DEGA’s “Mirrors” off of Lemonade Records. The airy guitar riffs and background synths paint a picture of a road trip along a glowing, neon sunset in a John Hughes movie. Incidentally, the band described the track as one about “getting lost in the obsessions of chasing love.”  It’s a very specific image for such a simple idea, but that’s how you know they’ve done something right. The husband-and-wife duo has already made a few waves with their moving brand of pop music. “Mirror” serves as another showcase for their warm harmonies and groovy arrangements, one that excites us more so for their upcoming debut album. Get ready, because they’re the next band you won’t be able to get out of your head. READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

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SONG PREMIERE LISTEN: JAMIE MCLEAN BAND, ‘YESTERDAY’S CHAMPAGNE’

Jamie McLean Band
Jamie McLean Band

In Their Words: “‘Yesterday’s Champagne’ is a nod to that morning-after feeling when the bubbles in the sexy bottle from last night have fizzled away and you’re left feeling flat. It’s obviously about more than just a bottle of champagne, and it’s easily applied to relationships and love. I thought it was interesting to watch that moment when what feels like such a special and perfect ‘true love’ in the early stages of a relationship moves to something that doesn’t ‘work on you anymore.’” — Jamie McLean

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Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.