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Song Premiere: Elijah Ocean’s Soaring, Laurel Canyon-Inspired ‘Down This Road’

L.A.-based singer songwriter Elijah Ocean knows a thing or two about finding inspiration on the road. Raised in rural Maine, he landed on the West Coast a few years ago and he’s spent the years since traveling the freeways and rural byways of America. It’s that sense of restlessness and the realization of the cyclical nature of life at the heart of his latest single “Down This Road.”

The first single from his upcoming fifth album, “Down This Road” is a song nearly four years in the making. Ocean first started writing the song when he moved to L.A. in 2014. He then teamed up with his friend and keyboardist Zach Jones to co-write the track. After putting it aside for a few more months, Ocean finished writing the song in Las Vegas on a particularly difficult day.

“I ended up finishing the chorus and third verse in a hotel room in Vegas last fall. I was in town doing some casino gigs and I had been spending my days writing and finishing up the (Tom) Petty bio by the pool,” Ocean tells Wide Open Country. “It happened to be the same weekend Petty died and there was that horrible shooting. It felt like the sky was falling. Anyway, I decided to take it into the studio with my band and we tracked it live to tape, overdubbing the doubled 12-string acoustics, and a few other things.”

Tom Petty ?ended up being an obvious source of inspiration in the studio, along with Laurel Canyon legends like The Byrds.

Ocean says the song is inspired by our habitual need to repeat our own patterns in life and how that impacts our relationships.

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

by Baby Robot Media

VIDEO PREMIERE: SIR CANYON’S “ANGELENO DAYDREAM”

C&I has an exclusive first look at Sir Canyon’s new music video for “Angeleno Daydream,” off the band’s upcoming LP Ventura Skies, available March 2.

Imagine moving in slow-motion, watching the clouds slowly float away while you listen to your favorite laid-back track — overall, a feeling of perfect contentment. That’s the tranquil vibe conjured by the new music video for the Sir Canyon single “Angeleno Daydream.”

Leading the group of musicians is L.A.-based singer-songwriter Noah Lamberth, who previously played pedal steel for Katy Perry and shared stages with Willie Nelson, Dierks Bentley, and Brad Paisley in his early 2000s band, Hank Floyd.

Lamberth’s new music with Sir Canyon conjures the California sound, past and present — part country-, pop-, and folk-inflected SoCal Americana, part western film score.

With opening notes that seem to quote the evocative Twin Peaks theme but transplant it into Golden State sunshine, the video — fronted by Lamberth’s modern reverb voice and backed with Sir Canyon’s classic country sounds of a pedal steel and melodic acoustic strums — follows Lamberth in a contemplative state through the city of Los Angeles.

In keeping with the track’s hazy nature, he sees versions of himself in every corner while singing about heartbreak and getting lost in a California state of mind.

“Angeleno Daydream” comes from Sir Canyon’s March 2 release, Ventura Skies, an LP that Lamberth explains was fueled by a romantic breakup and the loss of his father to cancer.

“The best way to deal with the pain is to verbalize it. But for me, that comes out in song,” Lamberth says. “It’s kind of like therapy. The songs started pouring out of me.”

Experience the cinematic nature of Sir Canyon’s meditative country-pop track “Angeleno Daydream”

by Baby Robot Media

Great Peacock’s “Miss You Honey” Captures Lopsided Love in a Song (premiere)

Andrew Nelson, Blount Floyd, Nick Recio, and Frank Keith IV are Great Peacock. Together, the Nashville quartet has been working to challenge perceptions of Americana since it’s hit the mainstream, blurring the lines between rock and folk further along the way. Compared to that overarching mission—which has seen them sharing the stage with the likes of Cage the Elephant and Margo Price—what they had set out to accomplish with “Miss You Honey” almost seems too simple. This Valentine’s Day, Great Peacock is giving those who are alone a shoulder to cry on, reminding their audience that they can relate to being brokenhearted on the most commercially romantic holiday of the year.

Their notion of empathy is conveyed to listeners in a sweet three minutes and 31 seconds with a message that anyone who’s felt all sides of love can relate to. It’s gorgeously produced, as well, with beautiful, windswept instrumentation decorating an arrangement that’s sold by the sincerity with which frontman Nelson is able to evoke emotion.

Great Peacock’s new album Gran Pavo Real is out 30 March via Ropeadope Records.

What is “Miss You Honey” about?

The title says it all! And repeats over and over again in the chorus. The song is simply about missing someone you’re still in love with. It’s a mix of reminiscing, longing, and regret.

Who or what were some influences when it came to writing “Miss You Honey”?

I can’t think of anything that influenced this song other than the act of getting it out.And, the person it’s about. The words came out in minutes. It was no labor in writing.Some songs just come out on their own. All we did is write them down…

by Baby Robot Media

Acid Stag streams Abhi the Nomad’s new LP Marbled

Last week we featured this very cool tune from an artist out of Austin called Abhi The Nomad, and while setting that up I discovered he had also just released a whole new album as well – that’s a win for us!

It’s called ‘Marbled’ and it was written across 10 cities throughout 4 countries, and while he may not have had the best experiences along those travels, the music he has created is surely worth all of it. He’s delivered a very generous 12-track collection smooth hip-hop/rap/funk/RnB/soul tunes, and it is very much worthy of your time and attention. READ MORE…

by Baby Robot Media

mxdwn Premieres “Multilayered” New Song “Look Back” by DEGA

Kalen and Aslyn Nash are a married couple who have spent time all over the world together and now have a new music group called DEGA. The synth-pop duo recently toured with Washed Out and that is a good place to start when describing their sound. Today we have the premiere of a new song from the band called “Look Back.”

The song consists of layers of synth melodies piled high, creating a dynamic and unforgettable sound. “Look Back” was a vibe thing,” said Kalen. “It didn’t really have a special story or meaning. It started as a bass line. The lyric says, ‘Look Back if you walk away, if you walk away I’ll be gone,’ which creates a word story, but that came secondary. The lyrics on this one fell into place after the music was already a thing.” READ MORE…

by Baby Robot Media

PREMIERE: “LET’S GET OUT OF HERE” BY JAMIE MCLEAN BAND

In the midst of a cold and dreary winter, and just when the world-famous weather-forecasting groundhog’s shadow has predicted that there’s no end in sight, guitar-wielding blue-eyed soul man Jamie McLean comes through with a little ray of sunshine with his new single, “Let’s Get Out Of Here,” a modernized boy-meets-girl story. The tune is featured on McLean’s forthcoming album, One And Only, out February 23rd.

“A fella is interested in a lady. There’s some dancing. Her friends are around to judge a bit. There’s so more dancing. He proposes that they take this party elsewhere,” McLean explains of the song. “It’s funny. When I started this song it had almost a reggae feel to it. I was working with Brett Dennen at the time and almost thought about giving him the song instead of recording it myself,” he continues. “I kept hearing a sax solo on this one so I called up my buddy Jeff Coffin from Dave Matthews Band. He totally kills it! Perfect summer vibe!”

As it happens, the band relied on their drummer to keep them focused on the summery vibe. “He played the entire song with a whistle in his mouth. You can hear it at the very end,” McLean reveals. “We kept asking him ‘what time does beach volleyball start?’ By the end of the song he was drooling and looked like a Saint Bernard,” he adds with a laugh. “It kept the whole song beachy and fun.”