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Paper Magazine premiere Beechwood’s new video for “Ain’t Gonna Last All Night”

Beechwood
With a new report revealing millennials’ social media-induced perfectionism problem, Beechwood decides it’s time for us to take off the mask in new video, “Ain’t Gonna Last All Night,” starring artist/personality Nicky Ottav.

The NYC pop-punk band has always had a talent for pulling back the curtain to reveal the dark underbelly of humanity, and their latest visual is no different. Gordon Lawrence’s garage-rock vocals lend an authenticity to the track, which is perfectly paired with Ottav’s “self-masking” — he applies absurdist makeup and a bright green to demonstrate the lengths we go to put our best face forward. Lawrence explains the concept came from his fascination with people’s desire to (often medicinally) conceal their own insecurity and fear, bred by our obsession with “keeping up appearances.”

“It’s no big mystery to me why Americans are so fucked up right now on uppers, downers, anti-depressants or whatever else Dr. Feelgood will prescribe,” Lawrence says. “It’s much easier to mask the symptoms than confront them. “Ain’t Gonna Last All Night” is about this; it’s about the little things that people try to hide from each other that really make any given person who he or she is.”

He continues: “Everyone always has this front up, but in my experience, I’ve been able to see right through it. Doesn’t make me special. I just like to see a piece of something real before I get into it. It’s always easier to put up a front, but at the end of the day, it’s you who has to look at yourself in the mirror, and only you who has to live with yourself.”

Check out the video, premiered by PAPER, below and look out for Beechwood’s new LP, Songs From the Land of Nod, available January 26.

Beechwood are playing alongside The New York Doll’s Johansen at Elsewhere on the 20th and Berlin January 27th, grab their limited edition Starburst vinyl here.

READ MORE

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

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PopMatters premieres “Garage Sale” by Pedigo’s Magic Pilsner

Pedigo’s Magic Pilsner is a lot of things. For starters, it’s Dallas songwriter John Pedigo’s latest project. Secondly, it’s a lush, rhythmic Americana movement that’s all about having hope and keeping your chin up in the face of adversity. Thirdly, it’s a personal affair for Pedigo, given that in its own way, the project was made to honor his father.

Pedigo lost his dad to terminal cancer in May of last year. When he was diagnosed in 2016, his son set forth to write and record a collection of tunes that would honor him. Pedigo does so with keeping optimism alive even in the face of loss and mourning, with bombastic horns, drums, and guitars driving his rich, exuberant world of roots performances under the “Magic Pilsner” moniker forward. Even the name of the project, speaking of it, was named after an unbearable brew that John Pedigo’s father had created once upon a time.

“Garage Sale” is the good old Magic Pilsner’s latest release, and it carries much of the idea of making the best of a sad situation as one might expect from reading the above. But, instead of this writer lingering on analyzing the tune by his lonesome, John Pedigo himself took part in a Q&A; that should shine a light on things.

What is “Garage Sale” about / inspired by?

I think when people break up and chunk the other person’s things out on the lawn, it’s not only lazy, but a missed opportunity. Not to mention, it makes all your neighbors embarrassed for you, which makes borrowing milk just plain awkward. A better idea is to take all those things you’d be tossing out the window in a blind rage, and calmly selling them in a garage sale. It’s a no-brainer. You make some cash off the ex’s possessions, then go buy you and your friends some margaritas. Who wins? You do. All the way to the bank.

Any fun stories about writing or recording this particular track?

Besides the raison d’être and the motivation for actually making this record, I was extremely fortunate to have incredible players to work with. This song in particular took its unequivocal shape when Danny Balis was tracking. His walking bass line led to Chad Stockslager’s haunting piano part which led to Chris Holt’s doubled slide guitar. I added the Pixies-esque guitar part in the chorus to add some pep to it, but really it was those guys that made song special. Getting to hang with them and let them have at it was the fun I got to have with it.

How’s 2018 treating you so far? What are you looking forward to this year?

I know I’m not alone when I say that 2017 wasn’t the …

Wait, full disclosure, I wanted to say ‘bees knees’ just then. Which is ridiculous. However, I just Googled “Other ways to say Bees Knees.” Yes, even more ridiculous. But even more ridiculous still were these gems that came up in the search: “elephant’s adenoids, cat’s meow, ant’s pants, tiger’s spots, bullfrog’s beard, elephant’s instep, caterpillar’s kimono, turtle’s neck, duck’s quack, duck’s nuts, monkey’s eyebrows, gnat’s elbows, oyster’s earrings, snake’s hips, kipper’s knickers, elephant’s manicure, clam’s garter, eel’s ankle.” No joke!

Anyway, last year wasn’t the “kipper’s knickers” so to speak. I’m really looking forward to getting this record out and hitting the road with the Pils and making things happen. I owe it to my Dad. I’m also looking forward to working on my bowling game. It’s been slipping since, like, forever.

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

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PREMIERE: R. FINN – HARD TIMES AGAIN

R. Finn
R. Finn

Hard Times Again is the new single from Americana singer/songwriter R. Finn (aka Chris Rondinella), off his forthcoming debut LP, Collecting Trip. Co-produced by legendary drummer Jim Keltner (Bob Dylan, Neil Young, John Lennon), Collecting Trip is an ode to Finn’s deep dive into folk and Americana. The album also features contributions from Benmont Tench (Tom Petty & the Heartbreakers), Sean & Sara Watkins (Nickel Creek) and more.

Following a serendipitous two-year stint working with The Band’s Levon Helm at his studio in Woodstock, Finn returned to Los Angeles and started his own recording studio and creative space, The Heritage Recording Co., in a converted factory. It was in that studio that Finn recorded Collecting Trip—a ten-track collection of timeless Americana that finds Finn channelling influences from Woody Guthrie to Leon Russell.

Finn’s new single, the first song on the album, “Hard Times Again” is a downtempo love ballad featuring Finn’s emotive crooning atop simplistic acoustic guitar, banjo and a lush orchestral backing.

R. Finn shared the following on Hard Times Again:

This song is about cycles of addiction. In this case metaphorically a woman. I wanted to see how far I could push the imagery negatively about this person, only to return to her again at the end of the song. Something most people can relate to in one way or another, whether pills, love, or video games. Everybody’s got something they’re running back to.

The song started off as a Ray Charles “Busted” list type song and kind of took off from there. Though not intentionally I hear a lot of Townes in there. Which I don’t mind, cuz’ I love his records.

In its essence, this is really a folk song. Oddly enough it became the one on the album with the most production. It got the kitchen sink treatment, but I’m happy where it ended up.

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Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

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LA Weekly share featured listing of Cheap Tissue, previewing their show at The Echo

Don’t let Cheap Tissue’s relentless sense of self-deprecation fool you. The Echo Park garage-punk quartet’s Facebook bio refers to Cheap Tissue’s triumvirate of vocalists by sarcastically putting quotation marks around the word “singers” and goes on to describe the group “as a very small, extremely subpar orchestra with no conductor and the tendency to play songs at whatever tempo they feel like.” Most of the time, guitarists Andrew Taylor and Jesse Youngblood, bassist John Tyree and drummer Matt Spizer feel like playing at fast, reckless tempos on such short punk bursts as “Bag & Number.” They allude to The New York Dolls’ classic “Personality Crisis” when they rant their way through the bratty original song “Dirt”: “You’re a prima ballerina/You ain’t no New York Doll … Go back to your parents!” Look for Cheap Tissue’s debut album on Lolipop Records in March. READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

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Paper Magazine premiere Beechwood’s new video for “Ain’t Gonna Last All Night”

With a new report revealing millennials’ social media-induced perfectionism problem, Beechwood decides it’s time for us to take off the mask in new video, “Ain’t Gonna Last All Night,” starring artist/personality Nicky Ottav.

Related | Millennials Have a Perfection Problem

The NYC pop-punk band has always had a talent for pulling back the curtain to reveal the dark underbelly of humanity, and their latest visual is no different. Gordon Lawrence’s garage-rock vocals lend an authenticity to the track, which is perfectly paired with Ottav’s “self-masking” — he applies absurdist makeup and a bright green to demonstrate the lengths we go to put our best face forward. Lawrence explains the concept came from his fascination with people’s desire to (often medicinally) conceal their own insecurity and fear, bred by our obsession with “keeping up appearances.”

“It’s no big mystery to me why Americans are so fucked up right now on uppers, downers, anti-depressants or whatever else Dr. Feelgood will prescribe,” Lawrence says. “It’s much easier to mask the symptoms than confront them. “Ain’t Gonna Last All Night” is about this; it’s about the little things that people try to hide from each other that really make any given person who he or she is.”

He continues: “Everyone always has this front up, but in my experience, I’ve been able to see right through it. Doesn’t make me special. I just like to see a piece of something real before I get into it. It’s always easier to put up a front, but at the end of the day, it’s you who has to look at yourself in the mirror, and only you who has to live with yourself.”

Check out the video, premiered by PAPER, below and look out for Beechwood’s new LP, Songs From the Land of Nod, available January 26.

Beechwood are playing alongside The New York Doll’s David Johansen at Elsewhere on the 20th and Berlin January 27th, grab their limited edition Starburst vinyl here.

READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

 

 

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mxdwn premieres Cheap Tissue’s self-titled record

Garage Punk on the Come Up

Garage rock isn’t easy to come by these days. With the evolution of genres, advancement of technology and time, not too many groups are making intentionally fuzzy music. Rocking the most intentional unclean production, Cheap Tissue is the exception. The Los Angeles garage-punk band signed to Lolipop Records sports a refreshing take on the genre with distorted guitars and gang vocals on their new self-titled record.

Cheap Tissue begins with “Feed The Children,” which starts as a standard garage punk song. The three vocalists in Cheap Tissue give it that extra spice which makes it unique. Not to mention the blistering guitar riffs and solos that take place in the middle of the track. It’s certainly an acceptable opener to understand what Cheap Tissue is about.

“Cheap Tissue” is similar to a Fidlar track, with fast-paced, quick chords and a tempo that lasts the whole record. “Bag & Number” really emphasizes the snarl in the vocals that is reminiscent of so many punk bands before Cheap Tissue, like the Sex Pistols. Once again the guitar work in this track is very impressive towards the latter half of the song. Cheap Tissue masters the 20-second guitar solo within this debut record, rambling through various scales.

“On the Corner” starts with a catchy bass line, but the hooks don’t stop there as this track continues with the pattern of guitar solos and even has one of the more memorable choruses on the album. “New Promotion” has almost a dancy vibe to it with the “woos” in the vocals. The contrast in vocals between the lead and the backgrounds deep, bassy vocals is a direction that Cheap Tissue should explore more in the future, as it adds more chemistry within the band and their tracks. It is probably the most differentiating portion of the album making the track very well rounded.

While Cheap Tissue reaches Joyce Manor levels of short, sweet and to the point, it is an impressive debut that reintroduces casual music fans to a genre that may have slid under their radar. Although Cheap Tissue could use a little more variety within, it establishes who the band is at their core which is what self-titled records is all about anyways. READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.