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The Batt Premieres: Leslie Tom set to perform at Cavalry Court

There’s a Hank Williams fan combining her admiration with songwriting, and it looks like she’s cooking up something good.

Leslie Tom, Class of 1999, is bringing her traditional country sound to College Station. The Denver-based musician will play a free show on March 24 at 8 p.m. at Cavalry Court Court Hotel.

Tom’s latest album, “Ain’t It Something, Hank Williams,” is comprised of four original Hank Williams tunes, as well as six original songs inspired by his life. Tom says her father often played Hank’s music on long car rides, which likely set the first creative stepping stone in Tom’s artistry. “Hank Williams has been a huge influence in my life for as long as I can remember,” Tom said. “I’ve realized as my own career has grown that that influence is instrumental and the foundation of my sound.”

Originally, Tom said, her idea was to first make a Hank Williams-inspired EP and then create a full-length record in 2019. However, as Tom began constructing the album, the songs just kept coming and coming. “I didn’t want to do a record of all covers because it’s really hard to cover someone that is as iconic as Hank Williams,” Tom said. “It just sort of all came together. It wasn’t purposeful when we started out working on this new project, but after we started working we realized we had something pretty special.”

John Macy, Tom’s producer and steel guitar player, is a true fan of her work. As native Texans, Tom and Macy said they have a deep appreciation for true country music that is slowly finding its way back to Nashville.

by Baby Robot Media

Pop Matters Premieres Kellen of Troy’s “Just A Couple More”

Nashville-based folk-rocker Kellen Wenrich (Kellen of Troy) is taking a stand alongside the millions rallying around the world during the March For Our Lives. His newest video is a simple construct, featuring white text over a black backdrop, echoing Wenrich’s words one scathing truth after the other on “Just a Couple More”. It’s an evaluation of the times, shining a spotlight on politicians who would rather funnel donations from the NRA and like-minded organizations than campaign for real justice and peace in the light of the United States’ mass shooting epidemic.

Kellen of Troy says, “I wrote ‘Just a Couple More’ in the aftershock of the horrific shooting in Parkland, Florida. My friend Gavin Paddock posed a challenge-to-all-songwriters to write something a-la CSNY’s ‘Ohio’, dealing with gun control (or lack thereof) and the culture surrounding mass shootings in America. I took up the charge, writing and sending him a demo within 72 hours. He called me about 30 minutes later asking how he could help make the song a reality.”

Any and all proceeds from “Just a Couple More” will be donated to the March For Our Lives movement.

by Baby Robot Media

Farce The Music Reviews: Great Peacock / Gran Pavo Real

When I first heard Great Peacock’s EP a few years ago, it felt like it was the beginning of something special – an inside peek at the beginning of the rise of an obscure band. 5 years later, and it still feels that way when I hear a new Great Peacock offering. The band’s sophomore album is no different as the band takes a slight turn away from the gentle, melodic Americana and more towards the psychedelic, Americana-tinged rock.

The last output, their great Making Ghosts album, was everything we had been promised from their self-titled EP. It was a melodic outpouring of yearning tunes with Blount Floyd and Andrew Nelson’s voices working perfectly together. The band toured restlessly off that album, coming to DC at least 4 times, I believe, during that time. Around the last couple of times the guys came through, you could hear something shift in their music. There were 2 acoustic guitars on stage, then there was one acoustic and one electric, then there were only electric guitars. The songs began to shift sonically and jam a little more.

On Gran Pavo Real, those new sounds are apparent with the opening organ-heavy jam of “Hideaway.” The harmonies of Floyd and Nelson are still there and the heartbreak-driven tunes are still there, but there is a shift in the tone towards a Pneumonia-era Whiskeytown. But, never to fear, there are still hints of the old Great Peacock there – “Begging to Stay” and “Miss You Honey” being the two most akin to their previous album.

by Baby Robot Media

Slut Magic is on PopDust’s “RELEASE RADAR!”

Your place for teen-angst and empowerment, this group of rockers is putting out an album in just over a week to soothe your sexual desires. Until then, lead singer Emma Sky and friends are sharing this bright and shiny single with us. If you’re a garage rock fan with a craving for the sharp lyrics, this is your jam. READ MORE…

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by Baby Robot Media

Glide Magazine Premieres Great Peacock’s: “Let’s Get Drunk Tonight” Off Second LP “Gran Pavo Real”

Spitting stories of love, loss and pain, Nashville’s Great Peacock?? comprised of lead singer and guitarist Andrew Nelson, guitarist Blount Floyd, drummer Nick Recio and bass player Frank Keith IV ?? challenge the very notion of genre, dismantling tradition and blurring the lines between rock ‘n roll, conventional folk music and true Americana. As fixtures in the Southern festival circuit including Shakey Knees, they’ve shared stages with an abundance of equally-minded noise-makers, including Colter Wall, Hurray for the Riff Raff, Cage the Elephant, American Aquarium, Margo Priceand Jonathan Tyler.

The band is gearing up for the release of their upcoming second album, Gran Pavo Real (out Mar. 30 via Ropeadope Records), which is Spanish for Great Peacock. Their craft is instinctual, enlivened by their electric and nimble playing, gripping lyrical insight and Nelson’s eviscerating vocals. Their grooves run thick, like on standouts like “Rattlesnake” (a swampy, mid-tempo song that relates a poisonous relationship to a slithering serpent) and “Heartbreak Comin’ Down.” They also manage to cut right to the bone, particularly when they deal in restraint. “Take a little time to make things right / Make a little love in the middle of the night,” Nelson ruminates on the languid and smokey “Oh Deep Water.”

The tension and sweltering unease comes in waves across 10 tracks, often brittle and heartbreaking, other times ferocious and sharp. “A peacock has so many colors, and that’s what we want our sound to be like. It’s clearly rock ‘n roll. It’s clearly country. It’s clearly folk. There’s definitely blues and elements of R&B in there, too,” says Nelson.

by Baby Robot Media

Great Peacock named one of Rolling Stone’s 10 New Country Artists You Need To Know

Great Peacock

Sounds Like: Festival-ready Southern rock of the Whiskeytown persuasion

For Fans of: Ryan Adams, Tom Petty, Americana with both gentle acoustic harmonies and fuzzy, plugged-in anthems

Why You Should Pay Attention: You can’t ever say that Nashville’s Great Peacock is lacking a sense of humor: they started their band as bit of a joke. “It was right when the Fleet Foxes were getting big,” says Alabama-born frontman Andrew Nelson. “We’d always played rock, so we said, ‘Let’s do some acoustic stuff, and we’ll name our band after an animal.” They wrote a tune called “Desert Lark,” went with “Great Peacock” and put the song online: to their surprise, their friends loved it, and they did, too. Five years and hundreds of shows later, Great Peacock have expanded from a twosome of Nelson and guitarist Blount Floyd to a full band, honing a textured, roots-influenced breed of rock & roll on their newest LP, Gran Pavo Real that’s seriously good – but never too serious. Case in point: “Let’s Get Drunk Tonight,” a little bit of healing, hedonistic honky-tonk.