Search Results for: Какой антоним к слову любовь больше в insta---batmanapollo
American Songwriter includes new Old Heavy Hands album Small Fires with their New Country and Americana Albums for January 19, 2024
No Depression includes new Old Heavy Hands album Small Fires with their new releases
No Depression includes new Old Heavy Hands album Small Fires with their new releases this week:
Americana UK reviews new Old Heavy Hands album Small Fires calling it “perfectly produced”
“Heard you were leaving town with some other boy / Looking back on everything that I’ve destroyed / Full of misery and heartache,” reflects Nathan James Hall on ‘Runaround’, the opener to North Carolina’s Old Heavy Hands latest release ‘Small Fires’. “I was just a boy and you’re an innocent flower / Did everything I can do in my power / To keep you safe / But that ain’t what you want,” he further adds, both the insightful nature of the lyrics and the roughness of the vocals against some loud but ever melodic guitars letting you know exactly the kind of jagged, perfectly produced southern rock you can expect to enjoy from the album.
Americana Highways reviews new Old Heavy Hands album Small Fires
Old Heavy Hands is releasing a new album, Small Fires, this week. Small Fires was produced by Danny Fonorow and Old Heavy Hands; engineered by Mitch Easter (Wilco, Drive-By Truckers), Ted Comberford and Benjy Johnson; mixed by Henry Lunetta (Machine Gun Kelly) and mastered by Greg Calbi and Steve Fallone.
Their sound is driving alt rock musicianship and rock energy that’s gotten mixed up with a youthful heartland rock.
Nashville.com reviews upcoming Stephie James album As Night Fades (out Mar. 1)
Nashville via Detroit songwriter Stephie James’ debut full-length album, As Night Fades (out Mar. 1) exudes sparkly, starlit evening motifs, shot through the lens of dreamy doo-wop and romantic Americana rock n roll. James overturns Nashville’s hat and boot culture with her own Iggy Pop-meets-Judy Garland panache. She borrows the storytelling tradition of writers like Townes Van Zandt & Guy Clark but fuses it with 60’s girl group sounds, echoing The Shirelles and The Marvelettes’ “Please Mr. Postman.” James presents us with a record that’s subtly subversive—at one turn familiar and nostalgic, while simultaneously evoking the dawn of something new.