Search Results for: Пылающий смотреть онлайн smotretonlaynfilmyiserialy.ru

Derek Hoke Featured on Americana UK

Derek Hoke is a singer-songwriter based in East Nashville but this is not a straightforward Nashville album. A commentary on the dark times he feels are engulfing the States, it was nurtured from fleeting thoughts recorded with a tape-recorder whilst driving at night on the Tenessee blacktop to full album status with the assistance of several friends including the likes of Aaron Lee Tasjan to name but one.

A vague country rock feel permeates the disc but their are some quite gorgeous moments that grab the listener. The strings on ‘I’m Just A Man’ are delicious and really heighten its dense hothouse feel.

by Baby Robot Media

Kansas City’s The Pitch premieres Fred Wickham’s new single, “Mariosa Delta”

It’s been 16 years since Hadacol’s second and final album, All In Your Head. The band broke up shortly after its release, and it never really got the attention its predecessor, Better Than This, did. Since then, the band’s lead singer and guitarist, Fred Wickham, hasn’t exactly been absent from music — he plays with classic country cover band Kasey Rausch & the Naughty Pines, as well as performing as Scott Hrabko’s guitarist. Hadacol even reunited in 2010 and plays the occasional show around town.

Wickham has returned to recording after a lengthy break, and his debut solo album, Mariosa Delta, comes out Friday, September 29. It’s a rootsy affair — which should be unsurprising to anyone who has followed Wickham. Still, the elements from which he draws this time are, in a word, older.

“I was listening to a lot of Count Basie stuff at the time,” Wickham says. Jazz, he adds, “is not my bag, but I kinda had a little bit of that in my head, maybe.”

Much like the Mariosa Delta itself, where the Maries and Osage rivers meet, the album combines blues, jazz, and country into toe-tapping yet introspective songs. But the history on Mariosa Delta isn’t only in its musical reference points. The songs center on the story of Wickham’s grandmother Vivian and her husband’s brother Jim being gunned down by a jealous husband in front of the nightclub owned by Vivian and her husband.

Mariosa Delta has been in the works for quite some time — even Wickham says he’s no longer quite sure when it started. (One marker: The album was produced by Lou Whitney, who died two years ago.)

“We didn’t spend a whole lot of time on the record,” Wickham says. “It just took a long time to finish it, because things got in the way.”

When Whitney was diagnosed with cancer, he and Wickham could mix only one song at a time. But the patience is audible in a sound that recalls listeners vintage Band or Randy Newman.

“I’ve been listening to Randy Newman all my life — a lot!” Wickham says with a laugh. “When I was in high school, I had his poster in my bedroom. Now, when I was sitting around writing all this stuff, I wasn’t rediscovering Randy Newman, by any means, but he’s always been there.” READ MORE…

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

by Baby Robot Media

Wide Open Country premieres Fred Wickham’s new single, “I Don’t Have to Like It”

Fred Wickham’s “I Don’t Have to Like It,” from forthcoming solo debut Mariosa Delta, is a tantalizing tale of loss. It’s also the bittersweet end of a Midwestern alt-country staple’s career, following the 2014 death of producer Lou Whitney.

The song tells of regretful farewells and emotional vulnerabilities, with each gut-wrenching verse punctuated by barroom piano riffs. At its core sits a songwriter, strumming his acoustic guitar while spilling his heart for all who might listen.

“I Don’t Have to Like It” is one of my favorite cuts on the record,” Wickham tells Wide Open Country. “The rhythm section paces the song perfectly—its dramatic without sounding melodramatic. I like the way the band exercises the restraint the singer is pretending to have, when in fact, unlike the musicians, he’s actually falling apart. This song owes a lot to producer Lou Whitney. He was the best.”

Although such lines as “I don’t mind saying it, I hate to see you go,” work as lamentations of a shunned lover, they took on new meaning after Whitney’s death.

Whitney died at age 71 following a battle with terminal cancer. The veteran Missouri musician’s production and engineering credits include releases by Wilco and Robbie Fulks. Whitney also produced both albums by Wickham’s prior band, Hadacol.

“He was a huge name among all those dedicated people who love Americana music,” says Wickham. “He was just an incredible character. If you met him and spent any time with him, you would say, ‘That’s one of the most interesting people I’ve ever been around.’”

Wickham’s solo debut comes 16 years after the dissolution of Hadacol, an alt-country band that also featured his brother Greg. That’s a mighty long stretch of living for a songwriter with a talent for basing narratives on triumphs and sorrows. For instance, Wickham became a new father recently, adding a heightened sense of joy to his life and songs. He’s also wrestling with a late-life admission by his deceased grandmother, whose shocking tale of her brother-in-law’s murder at a family-owned club inspired the title track.

For another taste of what Mariosa Delta has in store for listeners, check out the toe-tapping fiddle tune “You Don’t Need Me.” The album arrives Sept. 29 via Thirty Days Records. READ MORE…

by Baby Robot Media

Nasty Gal premieres Misty Boyce’s new video for “Oh Marie”

Misty Boyce is one of those musicians that I’d seen around town before I knew her as a solo artist. And by “seen around,” I mean that I saw her on-stage with BØRNS at Coachella 2016, holding down the keys and wailing on the harmonies in a taupe suede skirt. Set yourself a reminder, because she is about to release her next (woman-produced!) full-length album—called “Get Lost”—on February 16th, 2018.

Yes, that is so, so far away! But never fear, because she is releasing her perfectly cloudy-weather single “Oh, Marie” today, jam-packed with matriarchal angst and the desire to connect. And we are premiering the beautiful and affecting video, made by a brilliant group of white-haired young women in Sweden, right here.

Misty on making the video: “I remembered that a really talented young Børns fan named Sandra Trillkott had made a rad video for one of my older songs… So I approached her about it, and she took the idea I had (which was “Girl, Interrupted” meets mental hospital meets women wrestling with each other and themselves on many levels) and ran with it, with the help of her sister and a bunch of talented girl friends where they live in Sweden.” READ MORE

by Baby Robot Media

No Depression premieres Sara Rachele’s new single, “Anna”

Sara Rachele has impressed me from the get-go, and her upcoming album April Fool(out November 17) looks like it’s going to be her best yet. Already a master at baring her soul, the sparse instrumentation on “Anna” shows Sara Rachele at her most vulnerable. Of the song Rachele writes,

“Sometimes music is an easier way of communicating for me. I’ve been that way since I was a child. With “Anna,” the conversation is imaginary—a preparation for the actual conversation…

There are times when you know the truth will crumble, instead of materializing. These moments are phases, which often take shape in a song. The pain becomes more bearable, and albeit awful, the lies become understood. Yet, these moments are potentially necessary Machiavellian stepping-stones to get to the truth. I wrestle with the lack of permanence and its illusiveness… I once heard Ryan Adams talk about getting over the ‘illusion of permanence,’ and that definitely resonates with me in life and in my music.

So much music is about love and relationships, and in a sense, I guess this song is too. I’m recounting a story to a friend, and they couldn’t possibly understand—but art allows us a true closeness, even within ourselves, where we can say, “This is the best I am, and this is me doing the best I can. I know it’s not good enough, and I’m sorry.”

The overwhelming swell of Rachele’s voice brings the emotional fragility of the song into stark relief. This is one that will certainly stick with you.

Sara Rachele — Official, Facebook, Bandcamp