Impose Magazine

 

 

 

Classically trained violinist, multi-instrumentalist, singer/songwriter LeeLee Haxi has been making waves in the music industry. Last year, her music caught the attention of none other than Afrojack, and since collaborating with him she has been writing for a myriad of DJs and labels, including – but certainly not limited to – Armada Records, The Chainsmokers, Dj Novak, and Mostabeatz.  This November, her debut Until Then will be released. Until then (ha!), we’ve got the exclusive premiere of her track “Done It.” READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

 

 

 

Breaking up is hard to do. And for the Alabama based Dexateens, it seems they worked out the hard stuff, because they’ve reunited to release their previously recorded (yet unreleased) Teenage Hallelujah. Five years after the members parted ways, they’re back, equipped with garage rock infused tracks, akin to Black Lips and indie favorites Parquet Courts. Consisting of original members Elliott McPherson, Matt Patton, Brian Gosdin, Brad Armstrong, and Taylor Hollingsworth filling Lee Bains’ slot; The Dextaeens approach rock with all guards down– leaving us with nothing but Ramones-style feel good tracks. Read More…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

Meet Flower’s Jack Fowler (also of Exwhy) who premieres the power garage of his new single “Deadly Ill” off the forthcoming album Waste of Life available February 5. “I was disenchanted with the whole dream of a family and an office job—the ‘American Dream,’ as it were—that I bought into for a little bit,” Jack explained, “I was working a pretty decent office job and doing absolutely nothing beyond working and getting depressed, I was just spinning my wheels and growing bored and really depressed. I was struggling with talking to people, being social at all. That’s the core of this album—anxiety and not being sure how to define yourself.” READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

Atlanta, Georgia’s The Head release their Millipedes EP today and we give you the following debut listen followed by a few exclusive insights. The trio of Jack Shaw, Mike Shaw, and Jacob Morrell partake in the time tried and true traditions of power pop that have been reinforced further from the group’s work with the likes of John Vanderslice, Doug Gillard, Mitch Easter, Big Star legend Jody Stephens and more. Continuing what brothers Jack and Mike and friend Jacob began during their freshman year of high school, the self-producedMillipedes moves in a variety of directions that finds The Head moving in assured and exciting headstrong directions.

Musings of messianism and more rocks hard on the opener cut “Jesus” and unfolds in ways that present the three working together like a well-serviced savior machine. Matters get serious on “It Ain’t Easy” that recalls the 2012 Newtown school shooting that explores interpersonal connections from father and son dynamics, to examining the balances and imbalances of our surrounding society at large. Storms and downpours burst in the catchy tarp clad “Raincoats” that seeks a sort of shelter for all things from the threat of overhead rain clouds and their emitted contents. Ineffable things left unsaid, forgotten, and unacknowledged are illustrated in the power fist clenched cut “Unspoken”, right before the three leave you strolling to the guitar lick laden stoned strewn pathway of “Pebbles On The Ground”. Developing styles and sounds of their own championed by their idols and contemporaries, The Head have hemmed a five song cycle to keep you warm this winter until word of a forthcoming full-length makes the news rounds. LISTEN HERE…

Shepherds, masterminded by Jonathan Merenivitch, just released their album Exit Youth today and presented us with the super courteous and super-charged single “Courtesy”. Merenivitch’s musical resume checks his work with Janelle Monae, Dog Bite, Del Venicci, and more, where Shepherds finds him playing with Peter Cauthorn from Mood Rings on bass, George Bataille Battle Cry’s Adrian Switon on drums, with further rumbling bass rhythm considerations courtesy of Canivores and Del Venicci’s Ross Politi. Their debut album toast to rites of passage and the road to adulthood tackles the challenges and changes with a memorable motorik driving jam that is not your parents’ post-punk/kraut/prog/album rock/whatever.

“Courtesy” is noise-reared in a way where every controlled instrumental item (or implementation of audio chaos) is sharpened finally to use every iota of sound to wrap melodic textures around a state of constant, rapid percussive locomotion. From here Merenivitch and the gang serve up sections of reigned roars and primal yells that all abide on accord of harmonic-percussion principles. Nothing stops the roll that “Courtesy” coasts on where sequences of sea-sawing electric metal strings spring up like brontosaurus sized Lochness sized leviathans from the depths of lakes and oceans. LISTEN HERE…

Check out Sye Elaine Spence the Jeff Scher direct video for the Dreambear produced track “1964” that brings animations and lullabies that resonate in those ways that shine lights on the fuzzy cognitive places of the internal incomplete archives that house cognitive experiences and stages. WATCH HERE…