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JAMIE MCLEAN BAND NEW ALBUM OUT 2/23 + WINTER TOUR

Jamie McLean Band has been receiving great press in anticipation of its new LP, One and Only, produced by ex-Wilco drummer Ken Coomer (Steve Earle, Emmylou Harris) at Nashville’s legendary Sound Emporium, and featuring contributions from an impressive list of guest artists, from Americana mainstay Sam Bush to reed man extraordinaire Jeff Coffin (Bela Fleck, Dave Matthews Band) and mesmerizing British singer/songwriter Lucie Silvas. No Depression, PopMatters and Glide have all shared singles leading up to the Feb. 23 release.

When Jamie McLean and his band get cooking, signature Gibson Les Paul slung over his shoulder, jangling downhome American rock & roll blaring from the speakers—damn the torpedoes, it’s like 1976 all over again. With the depth and honesty of his songs, and the effortless showmanship of his live performances, you can trace a clean lineage straight back from McLean to the legends whose influence he’s proudly stitched on his sleeve.

“I’ve been working at this long enough now that I know what’s going to be a great song and what feels extra,” McLean says. “Tom Petty had the line, ‘Don’t bore us, get to the chorus.’ That always resonated with me.”

McLean’s new LP, One and Only (out Feb. 23), was brought to life with the help of producer/ex-Wilco drummer Ken Coomer (Steve Earle, Emmylou Harris), and it’s the most assured studio expression yet from the Jamie McLean Band. The album also gets a lift from its impressive collection of guest artists including Americana mainstay Sam Bush, who serves up potent flights of mandolin picking; reed man extraordinaire Jeff Coffin (Bela Fleck, Dave Matthews Band); and mesmerizing British singer-songwriter Lucie Silvas.

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

by Baby Robot Media

The Bluegrass Situation names “Warning Shot” by Pedigo’s Magic Pilsner as their Song of the Week

Music has a way of speaking for those who cannot: the thoughts of a secret lover, a disenfranchised worker, a child unborn. That’s why honesty, rather than explicit or factual truth, is one of the most powerful tools a songwriter can have. What can you imagine? What brain can you get inside? Who can you be or who can you sing for, and can that be someone who could never speak themselves?

On “Warning Shot,” from his new record, Magic Pilsner, John Pedigo — one half of the O’s — does this by imagining the thoughts of someone only after they have died, en route to their own funeral. Not watching from above in a religious or spiritual way, but in true quest to uncover what a man who is no longer with us might actually be thinking. In “Warning Shot,” this message comes straight from the casket, but Pedigo treats death as enough of an open-ended concept so a funeral — and our ashes — aren’t only concepts experienced by those no longer breathing. Alternating subtle acoustics with piano and strings, it’s a song that helped Pedigo come to terms with the loss of his own father. But the healing doesn’t end there.

“The record was a mostly solitary adventure, and I was racing against time trying to finish it and still create a definitive sound,” Pedigo says. “It became much more to me than a song; it was the driving force for me to continue.” Rebirth through death: seeing life the way only a songwriter can.

by Baby Robot Media

A New Pop Music Wave In 2018 Please, Plus R. Finn and Frank Viele Premiere/Exclusives

Recording artist R. Finn presents a timely song about hunger in America, produced by famed drummer Jim Keltner, featuring Adam Levy on guitar, Chris Rondinella and Madison Cunningham on additional vocals, Bo Koster on keys, and Will Gramling on organ.

According to R. Finn…

“I wrote ‘Desperation USA’ after a program I was watching on hunger in America. I was confused as to how a country as successful as ours could still have so many people going to bed hungry each night. Working people, not unemployed. Underemployed, under-payed. The working poor, which was becoming far too many.

“I adapted this character Jo and wrote the song from her perspective almost in a stream of consciousness. I don’t think the song took longer than an hour to finish. I imagined her having to pack it up and look for work elsewhere, starting a new life at an old age. Someone looking for their own ray of sunshine. Someone boxed in by the world around her. The story doesn’t really resolve. Why should it?

“For most people, the situation is still unresolved. My intention was that the hope would come through in the empathy of the performance. Empathy for this character and others like her. I didn’t want to wrap it up in a bow. I wanted it to feel real. I had my friend Madison Cunningham come and sing on it almost in a duet style. She sang beautifully. I’m glad its there, and why not give it a woman’s touch.”

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by Baby Robot Media

PREMIERE: Jamie McLean — “Virginia” (Featuring Sam Bush)

Here’s the new single from Brooklyn-based Americana/rock & roll artist Jamie McLean, off his forthcoming LP, One and Only (out February 23rd). The follow-up to 2011’s Sunday Morning, One and Only was produced by Wilco’s Ken Coomer at the Sound Emporium in Nashville and features some lovely mandolin playing by Sam Bush (NPR, Billboard, No Depression) and Jeff Coffin (Dave Matthews Band)

McLean has cut his teeth as a musician touring the globe as the guitarist for artists including The Dirty Dozen Brass Band, Aaron Neville, Brett Dennen and more. Now focused primarily on his solo career, One and Only comes as an 11-track collection of gritty alt-country combined with Tom Petty-channeling heartland rock & roll.

You can catch Jamie McClean and his accomplished band at the following dates and places:

by Baby Robot Media

Paper Magazine premiere Beechwood’s new video for “Ain’t Gonna Last All Night”

The NYC pop-punk band has always had a talent for pulling back the curtain to reveal the dark underbelly of humanity, and their latest visual is no different. Gordon Lawrence’s garage-rock vocals lend an authenticity to the track, which is perfectly paired with Ottav’s “self-masking” — he applies absurdist makeup and a bright green to demonstrate the lengths we go to put our best face forward. Lawrence explains the concept came from his fascination with people’s desire to (often medicinally) conceal their own insecurity and fear, bred by our obsession with “keeping up appearances.”

“It’s no big mystery to me why Americans are so fucked up right now on uppers, downers, anti-depressants or whatever else Dr. Feelgood will prescribe,” Lawrence says. “It’s much easier to mask the symptoms than confront them. “Ain’t Gonna Last All Night” is about this; it’s about the little things that people try to hide from each other that really make any given person who he or she is.”

He continues: “Everyone always has this front up, but in my experience, I’ve been able to see right through it. Doesn’t make me special. I just like to see a piece of something real before I get into it. It’s always easier to put up a front, but at the end of the day, it’s you who has to look at yourself in the mirror, and only you who has to live with yourself.”

Check out the video, premiered by PAPER, below and look out for Beechwood’s new LP, Songs From the Land of Nod, available January 26.

Beechwood are playing alongside The New York Doll’s Johansen at Elsewhere on the 20th and Berlin January 27th, grab their limited edition Starburst vinyl here.

by Baby Robot Media

PopMatters premieres “Garage Sale” by Pedigo’s Magic Pilsner

Pedigo’s Magic Pilsner is a lot of things. For starters, it’s Dallas songwriter John Pedigo’s latest project. Secondly, it’s a lush, rhythmic Americana movement that’s all about having hope and keeping your chin up in the face of adversity. Thirdly, it’s a personal affair for Pedigo, given that in its own way, the project was made to honor his father.

Pedigo lost his dad to terminal cancer in May of last year. When he was diagnosed in 2016, his son set forth to write and record a collection of tunes that would honor him. Pedigo does so with keeping optimism alive even in the face of loss and mourning, with bombastic horns, drums, and guitars driving his rich, exuberant world of roots performances under the “Magic Pilsner” moniker forward. Even the name of the project, speaking of it, was named after an unbearable brew that John Pedigo’s father had created once upon a time.

“Garage Sale” is the good old Magic Pilsner’s latest release, and it carries much of the idea of making the best of a sad situation as one might expect from reading the above. But, instead of this writer lingering on analyzing the tune by his lonesome, John Pedigo himself took part in a Q&A; that should shine a light on things.

What is “Garage Sale” about / inspired by?

I think when people break up and chunk the other person’s things out on the lawn, it’s not only lazy, but a missed opportunity. Not to mention, it makes all your neighbors embarrassed for you, which makes borrowing milk just plain awkward. A better idea is to take all those things you’d be tossing out the window in a blind rage, and calmly selling them in a garage sale. It’s a no-brainer. You make some cash off the ex’s possessions, then go buy you and your friends some margaritas. Who wins? You do. All the way to the bank.

Any fun stories about writing or recording this particular track?

Besides the raison d’être and the motivation for actually making this record, I was extremely fortunate to have incredible players to work with. This song in particular took its unequivocal shape when Danny Balis was tracking. His walking bass line led to Chad Stockslager’s haunting piano part which led to Chris Holt’s doubled slide guitar. I added the Pixies-esque guitar part in the chorus to add some pep to it, but really it was those guys that made song special. Getting to hang with them and let them have at it was the fun I got to have with it.

How’s 2018 treating you so far? What are you looking forward to this year?

I know I’m not alone when I say that 2017 wasn’t the …

Wait, full disclosure, I wanted to say ‘bees knees’ just then. Which is ridiculous. However, I just Googled “Other ways to say Bees Knees.” Yes, even more ridiculous. But even more ridiculous still were these gems that came up in the search: “elephant’s adenoids, cat’s meow, ant’s pants, tiger’s spots, bullfrog’s beard, elephant’s instep, caterpillar’s kimono, turtle’s neck, duck’s quack, duck’s nuts, monkey’s eyebrows, gnat’s elbows, oyster’s earrings, snake’s hips, kipper’s knickers, elephant’s manicure, clam’s garter, eel’s ankle.” No joke!

Anyway, last year wasn’t the “kipper’s knickers” so to speak. I’m really looking forward to getting this record out and hitting the road with the Pils and making things happen. I owe it to my Dad. I’m also looking forward to working on my bowling game. It’s been slipping since, like, forever.