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Farce The Music Reviews: Great Peacock / Gran Pavo Real

Great Peacock
Great Peacock
When I first heard Great Peacock’s EP a few years ago, it felt like it was the beginning of something special – an inside peek at the beginning of the rise of an obscure band.  5 years later, and it still feels that way when I hear a new Great Peacock offering.  The band’s sophomore album is no different as the band takes a slight turn away from the gentle, melodic Americana and more towards the psychedelic, Americana-tinged rock.
The last output, their great Making Ghosts album, was everything we had been promised from their self-titled EP.  It was a melodic outpouring of yearning tunes with Blount Floyd and Andrew Nelson’s voices working perfectly together.  The band toured restlessly off that album, coming to DC at least 4 times, I believe, during that time.  Around the last couple of times the guys came through, you could hear something shift in their music.  There were 2 acoustic guitars on stage, then there was one acoustic and one electric, then there were only electric guitars.  The songs began to shift sonically and jam a little more.
On Gran Pavo Real, those new sounds are apparent with the opening organ-heavy jam of “Hideaway.”  The harmonies of Floyd and Nelson are still there and the heartbreak-driven tunes are still there, but there is a shift in the tone towards a Pneumonia-era Whiskeytown.  But, never to fear, there are still hints of the old Great Peacock there – “Begging to Stay” and “Miss You Honey” being the two most akin to their previous album.

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Slut Magic is on PopDust’s “RELEASE RADAR!”

Your place for teen-angst and empowerment, this group of rockers is putting out an album in just over a week to soothe your sexual desires. Until then, lead singer Emma Sky and friends are sharing this bright and shiny single with us. If you’re a garage rock fan with a craving for the sharp lyrics, this is your jam. READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

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Glide Magazine Premieres Great Peacock’s: “Let’s Get Drunk Tonight” Off Second LP “Gran Pavo Real”

Great Peacock
Great Peacock

Spitting stories of love, loss and pain, Nashville’s Great Peacock?? comprised of lead singer and guitarist Andrew Nelson, guitarist Blount Floyd, drummer Nick Recio and bass player Frank Keith IV ?? challenge the very notion of genre, dismantling tradition and blurring the lines between rock ‘n roll, conventional folk music and true Americana. As fixtures in the Southern festival circuit including Shakey Knees, they’ve shared stages with an abundance of equally-minded noise-makers, including Colter Wall, Hurray for the Riff Raff, Cage the Elephant, American Aquarium, Margo Priceand Jonathan Tyler.

The band is gearing up for the release of their upcoming second album, Gran Pavo Real (out Mar. 30 via Ropeadope Records), which is Spanish for Great Peacock. Their craft is instinctual, enlivened by their electric and nimble playing, gripping lyrical insight and Nelson’s eviscerating vocals. Their grooves run thick, like on standouts like “Rattlesnake” (a swampy, mid-tempo song that relates a poisonous relationship to a slithering serpent) and “Heartbreak Comin’ Down.” They also manage to cut right to the bone, particularly when they deal in restraint. “Take a little time to make things right / Make a little love in the middle of the night,” Nelson ruminates on the languid and smokey “Oh Deep Water.”

The tension and sweltering unease comes in waves across 10 tracks, often brittle and heartbreaking, other times ferocious and sharp. “A peacock has so many colors, and that’s what we want our sound to be like. It’s clearly rock ‘n roll. It’s clearly country. It’s clearly folk. There’s definitely blues and elements of R&B in there, too,” says Nelson.

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Great Peacock named one of Rolling Stone’s 10 New Country Artists You Need To Know

Great Peacock

Great Peacock

Sounds Like: Festival-ready Southern rock of the Whiskeytown persuasion

For Fans of: Ryan Adams, Tom Petty, Americana with both gentle acoustic harmonies and fuzzy, plugged-in anthems

Why You Should Pay Attention: You can’t ever say that Nashville’s Great Peacock is lacking a sense of humor: they started their band as bit of a joke. “It was right when the Fleet Foxes were getting big,” says Alabama-born frontman Andrew Nelson. “We’d always played rock, so we said, ‘Let’s do some acoustic stuff, and we’ll name our band after an animal.” They wrote a tune called “Desert Lark,” went with “Great Peacock” and put the song online: to their surprise, their friends loved it, and they did, too. Five years and hundreds of shows later, Great Peacock have expanded from a twosome of Nelson and guitarist Blount Floyd to a full band, honing a textured, roots-influenced breed of rock & roll on their newest LP, Gran Pavo Real that’s seriously good – but never too serious. Case in point: “Let’s Get Drunk Tonight,” a little bit of healing, hedonistic honky-tonk.

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Stomp and Stammer interview garage/psych trio Midnight Larks about their new self-titled LP

midnight larks atlanta garage psych

I’d almost begun to wonder if they’d fluttered off in different directions, abandoning the invigorating promise they’d radiated upon alighting on the scene during the spring of 2015. Like many of you that year, I found myself irrepressibly charmed by Midnight Larks and their melting pot of sounds. They swiftly established themselves, playing out often and attracting a flock of devotees and supportive friends. As their stable of cool original songs wormed their way into my noggin, I greatly anticipated the album they began work on late that autumn. Momentum seemed to be with them.

And then, as the weeks turned into months turned into years, with assurances that the album was “coming out soon” never materializing and their attentions distracted by other bands the three members joined or started, Midnight Larks shows came less frequently, and when they did they simply charged through the same batch of songs (albeit great ones) they’d already been playing for two years. So, part of me assumed they were just starting to lose the spark as they moved on to other interests, leaving the recorded document to be unreleased.

Thus, I was quite happy to get the news earlier this year that the band’s self-titled debut album was, in fact, being pressed – and with its impending release, Midnight Larks remain as committed to their creative outlet as they were in the beginning. It’s just that… well, you know… these things take time. Especially when you’re doing everything yourself. READ MORE…

 

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

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The Daily Country Premieres Elijah Ocean’s ‘Down This Road’

Elijah Ocean
Elijah Ocean
Los Angeles-based artist Elijah Ocean is a songwriter’s songwriter. Channeling the ghosts of Laurel Canyon as well as the Hudson Valley, his sensibilities for folklore and his ear for a hook are on full display with his latest single, “Down This Road.” Ocean penned the first verse on his couch after moving to Los Angeles in 2014, and it stopped there for a while. After multiple revisions and mental blocks over the next three years, the song was finished in November 2017 in a Las Vegas hotel room, where longtime friend and keyboardist Zach Jones helped bring it to life.

The breezy, accessible track, which instantly recalls Tom Petty, features the jangly interplay of guitars and organ alongside Ocean’s warm as the California sunshine vocals.

“We’ve been here so many nights
Side by side through the same old fights
Round and round while the record plays
Looking back on better days

And here we go again
It’s like this road won’t ever end
It circles back to you my friend
And here we go again”

Ocean was born in a small woodland house in the Hudson Valley, raised in rural Maine, and enlightened by time spent in New York City. He’s landed in Los Angeles for now, where the Sunset Strip is a wasteland, Silverlake has peaked, and the spirit of Laurel Canyon echoes through the hills of Highland Park. The end of the world is a damn inspirational place to be.

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.