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Nikki & The Phantom Callers’ ‘They’ve Never Walked Through the Shadows’ premiered at Wide Open Country

Nikki & The Phantom Caller’s namesake Nikki Speake wrote future album cut “They’ve Never Walked Through Shadows” about cryptozoological creatures and battlefield legends from her hometown of Dadeville, Ala., providing her band with an excuse to release a spooky music video just in time for Halloween.

Speake’s family fables come from an area known as Booger Hollow (Booger as in ghost, Hollow pronounced “holler,” like Loretta Lynn says it).

“We were told that the Pig Man haunted the woods, and my older cousins used to scare me to death by saying they could hear his high-pitched squeals at night!,” Speake says. “It’s also only a few miles from the Horseshoe Bend National Park, where Andrew Jackson killed the last of the Red Stick Creeks; ending the Creek War, which resulted in Alabama becoming a state in 1819. So, it has a bit of a sad and supernatural history, and in many ways is a place that time has forgotten.”

Lindsay Kay

Website * Facebook * Instagram * Twitter * Spotify * Youtube

Los Angeles-based, Canadian singer-songwriter Lindsay Kay creates music that is “ethereal, melancholy, and dabbles in unreality while keeping gracefully attached to this world,” says New Sick Music. On October 5, 2018, the Berklee College of Music graduate released her debut, full-length album For the Feminine, by the Feminine – an 8 song meditation on themes of femininity and womanhood, written and produced by Kay herself. The album was made top to bottom by an entirely female-identifying team – something Kay is extremely proud of. Every role, from studio musicians to engineers to album artwork design to mastering to PR, was filled by a woman. The album explores themes of seeking faith, the ways in which women make themselves small to make space for the male counterparts, toxic masculinity, the goddess-like power in being a feminine being, consent, and more.

In 2019, Lindsay won an Independent Music Award for her rendition of “Lush Life,” and her music video for her song “Too” is an award-winner at the Calcutta International Film Festival, Open World Toronto Film Festival, ARFF Barcelona International Awards, Feel The Reel Film Festival, and was an official selection in the Cleveland Film Festival, Newport Beach Film Festival, Bellingham Music Festival, Pentedatillo Film Festival, and several more. For the Feminine, by the Feminine has been called “a manifesto of solidarity and inclusion,” by No Depression and “a record that gives comfort in hearing one’s own experiences mirrored back, and there is solace in knowing we are not alone in our pain and restlessness,” by For Folk’s Sake. She has performed all over the world and has been an artist in residence at JIWAR Creation and Society in Barcelona, The Banff Creative Arts Centre in Alberta, Canada, and La Porte Peinte in Burgundy, France. Frequently compared to artists like Joni Mitchell, Laura Marling, and Feist, Kay’s music affecting and undeniably timely.

“Full of sorrow and searching.” – Atwood Magazine

“Stunning…a commanding performance.” – B-Sides & Badlands

“There’s an ethereal quality to the music that draws you into the emotion behind the lyrics.” – EarBuddy

“A record that gives comfort in hearing one’s own experiences mirrored back, and there is solace in knowing we are not alone in our pain and restlessness.” – For Folk’s Sake

“For the Feminine, by the Feminine is a manifesto of solidarity and inclusion.” – No Depression

“Kay’s voice is spacious, often unwavering and smooth like ripples across the lake’s surface.” – PopDust

“Kay and company’s efforts produce something strikingly vulnerable and sincere, opening up on ruminations regarding women and the expectations that a heteronormative society unfairly places on their shoulders.” – PopMatters

“Every layer of the project was made with only female and female-identifying people.” – The National Post

by Baby Robot Media

Chapel Hill, NC sludge/psych rockers Minor Stars share new single at Metal Injection

Minor Stars will release their new record Through Pinholes In The Sky on October 25. READ MORE…

by Baby Robot Media

Americana UK listens to “Baba Vanga” from Phoebe Hunt & the Gatherers

Oh my goodness – what is Phoebe Hunt doing to country on her new album ‘Neither One of US is Wrong‘? Or, put it another way, what is Phoebe Hunt not doing to country on her new album ‘Neither One of US is Wrong‘? For, within what is still a recognisable structure, Phoebe Hunt and the loose coalition of musicians that make up The Gatherers take paths rarely trodden into what can only be identified as that rarely heard thing, the true Cosmic American Music.

Interview & Premiere with Signe Marie Rustad at PopMatters

Signe Marie Rustad by Marthe Amanda Vannebo

Signe Marie Rustad’s latest album, When Words Flew Freely arrives 1 November from Die with Your Boots on Records. Reminiscent of classic singer-songwriters of the 1970s (Joni Mitchell, Judee Sill), Rustad has a voice and musical vision that’s decidedly of this time and, also, timeless. Listening to her latest single, “A Thousand Lights”, one hears her sense of optimism come through in the wordless, ethereal choruses and in the tune’s sweeping, lush arrangement. If ever there were a song that captured rediscovering hope after a long walk with hopelessness, “A Thousand Lights” is it.

Testimonials for Frank Keith

Lyman Ellerman

Sample Clips:

PopMatters * No Depression * Wide Open Country * American Songwriter

“One of the coolest dudes I’ve ever had the honor to work with in this crazy business. I wish there were more of Frank. While fame & success may be a long shot for any artist, if it does happen, it will be in large part the result of the time and effort Frank and Baby Robot put into this project.” – Larry Brake, Manager, Lyman Ellerman

The Handsome Family

Sample Clips:

Nashville Scene * Memphis Flyer * Little Village Magazine * Milwaukee Record

“Frank and Baby Robot helped us to revisit Midwestern cities we hadn’t been to in some fifteen years. In a lot of ways it’s harder for an older band to get press, but Frank got the word out and our tour was a success.” – Rennie Sparks, The Handsome Family

Joslyn & the Sweet Compression

Sample Clips:

Billboard * Smiley Pete Publishing * SoulBounce * Americana Music Association

“Frank was outstanding during our Baby Robot Media album promotion campaign this year. Attentive, resourceful, and productive, he was in regular contact with us and got results. We’d be more than confident in working with him again!” – Marty Charters, Manager + Guitarist, Joslyn & the Sweet Compression

Sofia Talvik

Sample Clips:

Billboard * Wide Open Country * Cowboys & Indians * PopMatters * Americana Highways

“It was a joy working with Baby Robot Media and Frank Keith in particular. Great attention to detail and good communication! Would love to work with Frank again.” – Sofia Talvik

The Brookses

Wide Open Country * The Bluegrass Situation * AmericanaUK * Creative Loafing

“Frank did an incredible job handling all aspects of promoting the release of our debut album – we were amazed at the amount of national and international coverage he was able to get for us, far beyond what we expected. As a working musician himself, Frank definitely appreciated what we were trying to achieve as musicians. On top of that, he’s an absolute pleasure to work with!” – Jim Brooks, The Brookses

Dave Ernst

Sample Clips:

DittyTV * No Depression * AmericanaUK * Post to Wire * Capture Kentucky

“Frank was absolutely amazing to work with…he paid attention to my backstory and understood the emotion and thought that went into the songs on my record and was able to capture it in the bio he worked on for me. Frank helped get me some great album reviews and song premieres that really helped to give my album a boost around release time.” – Dave Ernst