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The Deli Magazine shares featured listing of Beechwood, previewing their show at Elsewhere & release party at Berlin

NYC psychedelic glam-punk rockers Beechwood are set to release their latest record “Songs From the Land of Nod” on January 26^th via Alive Naturalsound. Building a reputation for reckless and disorderly behavior (which covers the punk label well), their sound draws equally from the psych and glam rock realms. Stylistic elements of both Marc Bolan and Daniel Ash (in particular his soft vocal style) can be heard in many of the tracks. Thickly layered background voices juxtapose sweetly against garage drums and guitars, leading to frequent psych-out jams. Current single “C F” (streaming below) makes full use of all these aspects while adding slide guitar and keyboards into the mix. This easy psychedelia and vintage sounding looseness puts Beechwood in a sonic world not too distant from the ones inhabited by modern classics like Foxygen and Tame Impala. The band will be opening for NY Dolls legend David Johansen at Elsewhere on 1/20, a show that also features Deli cover stars Baby Shakes and celebrated DJ Jonathan Toubin. –Dave Cromwell

Wide Open Country premieres Dallas Moore’s “Texahio”

If you love outlaw country music, you should be following Dallas Moore.

Originally from Ohio and currently residing in Texas, Moore has established himself as a skilled songwriter and performer over his 20-year career. He’s shared the stage with several honky-tonk heroes, from Merle Haggard to the David Allan Coe. Folks have taken notice. The Dallas Moore Band’s stage show recently earned them the Ameripolitan Music Awards 2017 Outlaw Group of the Year honor.

This year, Moore will cement his place at the forefront of outlaw country music with his upcoming album, Mr. Honky Tonk. Produced by Dean Miller, son of Roger Miller, the record features an all-star cast of players, including harmonica by Mickey Raphael (Willie Nelson), steel guitarist Steve Hinson and bassist Michael Rhodes.

Today, we’re giving Wide Open Country readers an exclusive listen to his new single, “Texahio.” The track tells the story of how Moore and his wife decided to relocate from Cincinnati to Texas after years of touring the Lone Star State and falling in love with its culture.

“We kept playing for any crowd we could, constantly making new friends and fans,” Moore tells Wide Open Country. “One night, after a show outside of San Antonio, we were loading up the White Lightnin’ Express (our tour van) as my wife turned to me and remarked, ‘Honey, I want those new Lone Star plates on this ol’ van.’ That line resonated with me. Texas had truly become our second home. I had the entire song written before we even got to Waco!”

Look for Mr. Honky Tonk on March 2.

by Baby Robot Media

Notes From Left of the Dial: R. Finn and more

In Notes From Left of the Dial this week, Nooga.com spends time with new music from R. Finn, Bummerville, Forest Bees and Jeremy Bass. What have you been listening to lately?

R. Finn, “Quiet House”
The influence and friendship of legendary musician Levon Helm is a powerful thing. And for folk singer-songwriter R. Finn (born as Chris Rondinella), a nervous phone call to Helm some years ago created a connection where Finn was able to bring recording equipment to Helm’s empty studio in Woodstock, New York, and spend time working on the house concert jam sessions that Helm regularly led. After a couple of years producing these impromptu shows, Finn moved back to Los Angeles, created a personal studio called The Heritage Recording Co. and began work on his own material. The ensuing sessions yielded the Americana-tinged record “Collecting Trip,” due out Jan. 19.

On his new single, “Quiet House,” Finn radiates a bucolic intimacy, a warmth that extends outward from the lingering syllables of each line to the comforting melodies that cling to your ears. Acoustic guitars and a gently shuffling percussive gait bend your attention to the effortless way he creates detailed folk worlds from a host of familiar sounds. There’s a definite twang and tangible ache in each moment of the song. The persuasive rustic rhythms latch on to your senses and form a nice little folk cocoon inside your head, a perfect nesting spot for Finn’s compelling use of mandolin and pedal steel shivers. Blending Americana and ancestral folk tendencies, he comes away with a sound both reverential and casually ambitious.

by Baby Robot Media

First Listen: Ross Cooper’s Road Weary Rodeo Anthem ‘I Rode The Wild Horses’

“I only ever wanted to be a cowboy and play music,” says songwriter Ross Cooper. At this point, the former professional bareback bronc rider has settled into both. This spring, he’ll release I Rode The Wild Horses, a collection of old-school cowboy mantras, rodeo circuit anthems and lonesome barroom ballads.

The title track kicks off the album as a homage to those road-weary cowboys Cooper often looked up to growing up in plains of West Texas. He delivers an authentic perspective on the jangly number that finds a weathered cowboy reminiscing about his glorified heyday.

“In the surrounding towns of where I grew up, there were all these old cowboys who are now the last of a dying breed,” Cooper tells Wide Open Country. “These old cowboys, my dad included, they accomplished a lot in their lifetime. But sometimes, it feels as though the rest of the world just doesn’t care anymore about them.”

Cooper delivers lines like “I’m a patchwork of scars posted at the bar because the pain ain’t up and left. Well, these beers taste old and they’re rodeo cold, but they ain’t killed me yet,” with a tongue-in-cheek smirk. There’s a textured warmth to his vocals that add a velvety touch and a healthy dose of confident swagger. Still, Cooper’s not necessarily sitting on his high horse or yielding a condescending and arrogant tone on “I Rode The Wild Horses.” Rather, he’s full of tact and charm on the hypnotizing ode.

Even though Cooper’s determined to remain true to his cowboy ways, he does so on his own terms. He’s not bound by those traditional ways simply for the sake of tradition. Cooper’s “I Rode The Wild Horses” isn’t so wrapped up in itself that it’s detached or out of touch. It’s not a dated or campy trail song.

by Baby Robot Media

R. Finn Announces new LP, ‘Collecting Trip,’ Listen to “Quiet House”

Folk/Americana singer/songwriter R. Finn (aka Chris Rondinella) has officially announced his forthcoming debut LP, Collecting Trip, out 1/19. Co-produced by Jim Keltner (Bob Dylan, Neil Young, John Lennon), the album’s first single, “Quiet House,” premiered at Glide, who said, “It’s impossible to ignore the song’s rustic, heartfelt tone that is brought to life by Finn’s reflective lyrics and warm harmonies.”
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?With his new debut, Collecting Trip, R. Finn has created a heartfelt album rooted in timeless Americana and colored by subtly lush, alternately haunting and hopeful arrangements. The Southern California songwriter took the long way around on this journey, some of his songs on the record tracing back nearly a decade.

The LP’s title not only references the “collecting trips” taken by folk musicologists John and Alan Lomax, but also what the album represents to Finn: All the years of accumulating songs, players, styles and gear that have resulted in his affecting, long-evolving sound. And then there’s his deep devotion as a student of songwriting and music history. “I’m just trying to do what I love and what I listen to,” Finn says. “I’m always trying to evoke Ray Charles or Woody Guthrie.”

by Baby Robot Media

The Peoria Journal-Star interviews Craig Gerdes

LACON — As a precocious young boy growing up in Marshall County, Craig Gerdes could close his eyes and picture the scene set by Kris Kristofferson’s country classic, “Sunday Mornin’ Comin’ Down.” It resembled much of the life he observed around him.

Once he began to write his own country songs, starting at the age of 10 or 11 and continuing on to the present day, he kept the imagery of that song in mind — observed, recognizable moments that were unafraid to recognize the struggles of life.

“That’s what makes country music to me,” Gerdes said. “It’s just about real life. It’s not necessarily happy or joyful times. There can be a lot of hard times.

“Not tailgates and bonfires and stuff like that. The struggle is what makes it country.”

Gerdes has called Pattonsburg home for most of his life, an unincorporated and distinctly rural portion of Marshall County a handful of miles east of Washburn. After spending a couple of years in Nashville sleeping on floors and shopping songs that he wrote, Gerdes returned to Pattonsburg a little disaffected but still inspired. The result is a new album out in February, titled “Smokin’ Drinkin’ & Gamblin’,” and a concert at Whiskerz Pub in Lacon on Dec. 23 alongside fellow outlaw country musician Dallas Moore.

The album’s stark title doesn’t explain exactly what Gerdes had in mind while writing it. Instead of evoking the hard-living man at the poker table, it’s actually about the music business from his point of view — the smoke and mirrors of the industry, the alcohol accompanying every function and his idea that there’s no bigger gamble than a music career.

The songs on “Smokin’ Drinkin’ & Gamblin’” often express a road-weariness about “ramblin’ life away” in Gerdes’ honky-tonk fashion. The details are almost surely derived from his time trekking to Nashville and then back to his wife and kids in Pattonsburg from 2011 to 2015. The seven-hour commute afforded Gerdes plenty of time to gin up characters and details for his songs, but it ultimately wore him down. By 2015, he had given up any pretense of a country career and settled back home permanently.

“I felt like I needed to go,” Gerdes said. “I needed to get out of there.”

But it wasn’t long until music drew him back in as he realized that the world was a lot bigger than just Nashville and that he should take his music to the people.

“I needed to take my music all over the country,” Gerdes said.

That’s been Gerdes’ itinerary ever since, hitting barrooms, small clubs and any other venue that will take him. He’ll drive himself to a place like Omaha on a Friday afternoon to play a few gigs that weekend, whether it’s for a hundred people or just three or four. What matters to Gerdes anymore isn’t the amount of people during the show but the ones that approach him afterward, who feel as if one of his songs perfectly described their life. Many have responded in a digital format to his song “That Little Girl,” about his daughter, which has almost 200,000 views on Facebook.

“It makes me feel like I’m making people’s lives better, if it’s just for four minutes,” Gerdes said. “To me, that is successful.”

A return to Nashville for his album release party on Feb. 14 is in the works, but Gerdes is more focused on the upcoming show Saturday in Lacon. He digs the Whiskerz venue and is excited to have his friend and collaborator Moore around his neck of the woods. He’ll show him around some places, including where much of his songwriting has taken place in his life.

“A lot of the songs that I wrote over a period of time was on that front porch in good ol’ Marshall County,” Gerdes said.