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The Village Voice

by Baby Robot Media

Karen and the Sorrows Featured in The Village Voice

Karen and the Sorrows
Photo by Carole Litwin

In early 2011, Karen Pittelman recalls, she was having a hard time finding a place for her new country band, Karen & the Sorrows, to play that “felt like home.” Her previous band, the punk quartet Royal Pink, had encountered plenty of queer-welcoming venues. But though their music fit in the alt-country mainstream — narrative songwriting with touches of pedal steel and twang — there was not yet a space in the New York country music scene that centered on queer performers.

Pittelman, co-founder of the Trans Justice Funding Project and author of Classified: How to Stop Hiding Your Privilege and Use It for Social Change, decided to take matters into her own hands. She organized the first Gay Ole Opry in April 2011, under the tagline “country music for all cowpeople.” The show evolved to become the ongoing Queer Country Quarterly series at Branded Saloon in Prospect Heights, and has been taken on the road to several Southern states, and also to the West Coast with the help of San Francisco singer-songwriter Eli Conley. These events feature queer-positive performers whose music ranges from banjo-picking Americana to rock-influenced alt-country, all united by their love of “traditional” country music and the desire to see their own realities reflected in both lyrics and performances.

Now Pittelman is expanding her sights, organizing the all-day festival Another Country, at Littlefield in Gowanus on July 2. Her stated goal for the event is to question what country music stands for, and how that more broadly reflects the values of our nation. To that end, Another Country will feature performances by more than a dozen country artists who are queer, trans, and/or people of color, with the goal of opening up dialogue about the history of country music, who it is for, and who can answer these questions, while providing a welcoming space to help (re)define the genre for modern times.

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Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

Filed Under: Client Press Tagged With: The Village Voice

by Baby Robot Media

The Village Voice previews Sara Rachele’s show at New York’s Rockwood Music Hall & debuts her trippy new noise-pop holiday cover “Merry Christmas, Baby”

Sara Rachele press photo Diamond Street baby robot media Diamond Street Angrygal angry gal

This has been a weird December for New Yorkers: warm weather, heavy mist, darkly cloudy skies. Forecasts predict a Christmas nearing 70° and no snow until mid-January. That makes Sara Rachele’s “Merry Christmas Baby” the answer when your family asks you to put on music this week — or, if you’re a Christmas orphan, just the thing to listen to alone on Friday morning.

Rachele’s new track is a reverb-drenched, macabre take on saccharine winter classics that deserves play even when the snow melts; it might be about Christmas, but with its heavy haze, psych guitars, and Rachele’s slow-burn croon, it could easily soundtrack a heady, humid beach bender, too. The track is darker than Rachele’s earlier (and equally good) output, which shares the same retro stylings but often opts for a cleaner pop sound. The progression into thicker effects suits her voice, which floats through the more complex production without sounding out of place or getting lost in the fuzz.

Unsurprisingly, Rachele draws comparisons to Julee Cruise, whose memorable appearance on Twin Peaks defined their shared brand of surreal doo-wop-inflected ballads. But Rachele’s is an updated version that takes its roots a little more seriously, and one well worth catching live when she plays Rockwood Music Hall on December 30. Whether or not she plays this song post-25th is up to her, but either way it’s a gift for anyone who prefers unsettling chills over shiny holiday spirits. Listen to Sara Rachele’s “Merry Christmas Baby” below. LISTEN HERE…

Filed Under: Client Press Tagged With: The Village Voice

by Baby Robot Media

The Village Voice: Sydney Eloise and the Palms talk back to Simon & Garfunkel with thier song “Loneliest Boy In NY”

Sydney Eloise and the Palms Atlanta faces indie rock BABY robot media

Sydney Eloise and the Palms certainly didn’t rush things when it came to their forthcoming debut, Faces. The Atlanta-based band built the album piece by piece, heading into co-producer Damon Moon’s studio, the Cottage, with outlines of songs and adding instrumentals and tweaking things until they sounded right. They didn’t even start out looking to record an album, but as the collection of work began to take shape, songs that Eloise had been writing over a four-year period began to feel cohesive, and Faces was born.

The latest track revealed by Eloise and the Palms is “Loneliest Boy in NY,” one of the more complex songs on the record. The number is a response to the Simon & Garfunkel classic “The Only Living Boy in New York,” which Moon had included on a mix for Eloise in the midst of an inspirational dry spell. LISTEN HERE…

Filed Under: Client Press Tagged With: The Village Voice

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