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Voli’s new single “Stop Me” begins a 7-day stint today as Track of the Week at legendary pop-culture outlet Interview Magazine

The broad range of the instrumental composition of “Stop Me,” the newest track from New Jersey-born rapper Voli, is evidenced within the first thumping second. Opening with a Bollywood-esque electric guitar solo, the track, which we’re pleased to premiere here as our Track of the Week, slowly progresses to sample pop and rock rhythms with an air of ease and style. Witty and poignant lyrical flow (“Jersey in the house / don’t fist pump for me though …/ I dare you to hate me”) doubles over a clap-worthy chorus and easily danceable beats.

“It’s an unyielding, unapologetic testament to forging your own path at your own speed. It’s an anthemic middle finger to anyone’s preconceived notions of who you are or who you should be,” the visual artist, producer, rapper, singer, and songwriter says of the song. “I’m no longer living a predetermined lifestyle. Now, music is my life.”

While a journey from the East Coast to L.A. served as the main inspiration for “Stop Me,” the track’s robust samplings also stem from Voli’s varied influences. “One moment that inspiration might take the form of an Eagles song, and the next day it’s pulled from a Quentin Tarantino film. One day it could be an Ennio Morricone score, and the following week an intense conversation with a friend about the state of America,” he explains.

The former J. Cole and Young Guru collaborator refuses to abide by genre stipulations, blending elements of classic- and prog-rock, rap, and R&B, and on February 24, he will release his latest solo album The Wall. LISTEN HERE…

by Baby Robot Media

Under The Gun Review premieres Book Club’s “However Can It Be?”

Folk music for fans of the slightly eerie — that’s the best way to describe Book Club’s newest number, “However Can It Be?” The band walks its listener through the track, like the ballad at a cabaret or the soundtrack to a lost soul. Book Club have tapped into the melodically creepy with “However Can It Be?” — striking a balance between subtle beauty and irrefutable awe.

The song comes off of the band’s latest LP, One-Way Moon, which was recorded live in the studio, with the band sitting in a circle, facing each other. This live essence bleeds into the final product upon first listen of “However Can It Be?” One-Way Moon is due out Feb. 17 via the Cottage Recording Co. (Small Houses) & Bear Kids Recordings. LISTEN HERE…

by Baby Robot Media

PopMatters premieres Jesse Harris & Star Rover’s new single “Catch the Ash,” calling it a “melancholy lament to the ephemeral nature of life.”

Time Out New York once said about the singer/songwriter Jesse Harris, “[His] gift lies in his deft rendering of fleeting moods and passing moments.” This holds particularly true for “Catch the Ash”, a track off of Harris’ new album with Star Rover, No Wrong No Right. The spartan tune uses delicately played minor chords to slow down time as Harris reminds us to “catch the ash before it falls”. Harris rose to fame after writing Norah Jones’ Grammy-winning song “Don’t Know Why”, but since then he’s remained a prolific and unique recording artist, a streak continued by No Wrong No Right.

Harris says to PopMatters regarding the track, “After we finished recording No Wrong No Right, I realized that every song on the album was either in the first or second person. A couple days later, I wrote ‘Catch The Ash’ with a single rule: I couldn’t use the words ‘you’ or ‘I’ anywhere in the lyrics. I really loved the way the song turned out, and I knew I’d be sad if I didn’t include it on the album. Plus, I felt that, lyrically, it was needed. So I used a day in the studio that was originally meant only for overdubs, and we cut ‘Catch the Ash.’ Will [Graefe] and Jeremy [Gustin] from Star Rover had worked out an arrangement at home based on a guitar & vocal demo I sent them, and we put it down rather quickly—the basic tracks of guitars, drums and voice came first, live, and then I overdubbed the piano and Sofia Rei (whom Harris also performs with in the John Zorn-led Song Project) sang those gorgeous whispered backing vocals on the chorus to finish it off.” LISTEN HERE…

by Baby Robot Media

Culture Collide interviews Grand Vapids and premieres the title track off the band’s new album Guarantees

Sometimes you hear a lineup and just know that it’s right. This is true of McKendrick Bearden, Austin Harris, Chris Goggans, and Paul Stevens, who make up the Georgia-based indie rock band Grand Vapids.

Harris and Bearden’s vocals call to mind that of Sun Kil Moon, cushioned by loud, purring drums, melancholy violin, and dense soundscapes that fold in on each other like waves and explode unhurriedly into the ether.

“We didn’t wanted to rush anything on this record,” says Harris. “We took our time, really worked on the songs as a band, and played them a lot before going into the studio. When we started recording, it felt natural and we had a lot of room to expand the arrangements.”

And it shows. Their album, recorded in Athens, Georgia and mastered by Drew Vandenberg, (whose credits include of Montreal, Deerhunter, and Kishi Bashi), showcases a calculated but genuine sound, filling a void in the current indie rock landscape. Stream the single “Guarantees” from the album of the same name, out Jan. 20. READ MORE…

by Baby Robot Media

PureVolume.com premieres new video for the title track of Jesse Harris & Star Rover’s forthcoming album No Wrong No Right

Jesse Harris may be known for writing Norah Jones‘ first hit “Don’t Know Why” and collaborating with the likes of Bright Eyes, Cat Power, Feist, M. Ward, Melody Gardot, Mike Patton, John Zorn, Solomon Burke, Willie Nelson andEmmylou Harris; however, the singer-songwriter is just as a prolific solo artist, gearing up to release his 13th solo album, No Wrong No Right. Today, we’re excited to premiere the video for the title track. Watch above as Harris and experimental duoStar Rover display their take on modern minimalism in the simple yet striking clip.

“With the video for “No Wrong No Right” we were going for a ’60s sci-fi look, emulating films such as The 10th Victim and [George Lucas’ first feature] THX 1138,” Harris explains. “The dancers were meant to represent more futuristic paganism than, say, ’80s Robert Palmer-style eroticism. That was the idea, anyway. I wrote the song about a kind of malaise that comes from letting time pass without making any hard decisions; through passiveness allowing nothing to occur. The video was meant to convey this angst—in the strobe lighting and the starkness of the scenery and wardrobe. As for the recording, we did the basic tracks for “No Wrong No Right”—the voice, guitars and drums—live, and then overdubbed organ, percussion and harmonies.”

No Wrong No Right is slated for a February 10 release through Dangerbird Records and can be pre-ordered via iTunes. WATCH HERE…

by Baby Robot Media

Glowing writeup of Book Club’s new track “Fallen Leaves” today at NYLON

There are times when we really need to listen to punk rock in order to jolt ourselves out of the start-of-the-week slump. Other times, though—like on particularly cold, rainy Mondays in January—all we want is to listen to music that’s a little easier on the ears, but still the right amount of moody. This brand-new track from indie-folk collective Book Club is just what the doctor ordered.

“Fallen Leaves” pairs heart-wrenching lyrics with rich, gorgeous melodies, making it haunting and wintery; the kind of song that makes you want to roll up in a blanket like a burrito and think about the past.

The song will be on the group’s upcoming album, One-Way Moon, which is out on February 17 via The Cottage Recording Co. & Bear Kids Recordings. We’ll have this little song on repeat until then. LISTEN HERE…