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Oginalii named “Indie Band of the Week” by RockRevolt Magazine

“I’m a Zeppelin fanatic. I have two Zep tattoos already and planning my third now. So they’re a big one for sure. I also grew up around a lot of jazz fusion and hardcore/punk music. Bands like Bane and Terror have such intensity in the their music and I want to create an atmosphere like that. However, the crisp and beautiful voices of bands like Steely Dan soften the blow. Then there’s Modest Mouse whose lyrical content and music is completely and entirely unique. Isaac Brock is a magician. I could go on for a while, so I’ll just leave you with that.”… READ MORE

Baby Robot Media is a music publicity and media service agency with employees in Los Angeles, Memphis, Atlanta & New York and represent musicians from all over the world. We specialize in promotional ( PR ) campaigns for albums, singles and videos, tour press, radio, music video production, music marketing, social media campaigns, Spotify campaigns and creating promotional content. Our mission is to help great unknown bands reach a wider audience and to help already successful artists manage their brand identity and continue to thrive. Our music publicists have over 50 years of combined experience in the music industry. We are known as one of the best in the business.

by Baby Robot Media

Derek Hoke Featured in the Bluegrass Situation, Sharing Tracks from $2 Tuesday

Back in 2010, the 5 Spot in Nashville was known for two things — the Monday night dance party and the Wednesday night Old Time Jam. They were both very popular weekly events.
But Tuesdays were a dead zone. Either the venue was closed or a haphazard show or writer’s night was thrown together. Most of the time it was just me and a few other local musicians hanging out at the bar.

Those musicians just hanging out? Caitlin Rose, Margo Price, and Ricky Young (The Wild Feathers).

So, I tried to think of a way to get those people on stage and do something fun, without making it a big deal. Take the “business” out of the music business. It took a while to catch on, but over time, we all started having fun with the opportunity to play music with zero pressure.

The key was to do this every week. I booked five acts who each got to play five songs each. I tried focusing on booking a diverse set of acts — I really wanted it to be a variety of styles. That was the hard part. I had to get new people involved. I had to get musicians to come to the 5 Spot to play a few songs for no money and a very small audience. So I made it about the neighborhood: East Nashville. It was something for “us.” I had to get people to think about it like a live rehearsal for their new band — a place to try out some new tunes — and it had to be fun. I’d play a set every week with my newly formed band and act as emcee. Co-owner Todd Sherwood and I came up with the name “$2 Tuesday.” Local brewery Yazoo got on board as a sponsor, and we were off and running. I saw it as an East Nashville night club act that happened every week.

Who’s on the bill doesn’t matter. $2 Tuesday is the show. There’s no opener and no headliner. I just want the music to be good. Now that we can charge $2 at the door, I can pay everyone a little something for their time and talent. That feels good.

Two things eventually happened that solidified the format of each Tuesday: A band called the Clones (now Los Colognes) moved to town and started playing a lot of late-night sets on Tuesdays. Also, my friend Tim Hibbs brought his turntables to play records in between acts. Now I had an Ed McMahon to my Johnny Carson …

The first few years saw acts like Corey Chisel (who was living in Nashville at the time) and a virtually unknown Jason Isbell play some tunes. Peter Buck of R.E.M. sat in on bass one night. The newly termed “Late Night” slot gave an opportunity for longer sets. Folks like Hayes Carll would take that slot to run through a tour set. Shovels & Rope packed the place for a sneak peak of their new material. Over the years, we’ve hosted Nikki Lane, Sunday Valley (Sturgill Simpson), Bobby Bare Jr., Nicole Atkins, Lydia Loveless, All Them Witches, Lloyd Cole, Robyn Hitchcock, Margo Price, and on and on. All of this done without posters or fanfare. No Facebook invites or business contracts. Just word of mouth. A “you had to be there” type of show. Tuesdays have become a night to get turned on to new music of all kinds. Songwriters from all over the country, bluegrass acts, touring and local rock bands looking for a show. We’ve even had hip-hop and comedy acts. That’s what I’ve always loved about Tuesdays. It’s just this little thing that grew into something really special. All of this for just two bucks.

by Baby Robot Media

Guitar World Premieres ‘Little Devil’ From Derek Hoke

Today, GuitarWorld.com presents the exclusive premiere of “Little Devil,” a stark yet sticky new track by East Nashville-based singer-songwriter-guitarist Derek Hoke. The song is from Hoke’s new album, Bring the Flood, which will be released October 9 via Little Hollywood.

In its own plaintive, reverb-drenched way, the album (and “Little Devil”) is indicative of the exciting new sound coming out of the greater Nashville area in late 2017—a sound that’s not quite country, not quite rock, not quite blues, surf or acid jazz—yet full of pith and delicious retro references.

“‘Little Devil’ follows the very long musical tradition of writing about a girl that’s nothing but trouble,” Hoke tells us. “There’s E.L.O.’s ‘Evil Woman,’ Marty Robbins’ ‘Devil Woman,’ etc. The list goes on.

“I had the melody and the chorus to the tune for a few weeks. Just hammering the same four notes out on my ’68 Tele over and over. I used a Prescription Electronics Yardbox to get the point across. Once I had the verses and chorus, my producer Dex Green and I started putting it all together. ‘Simple caveman drums’ was how I described the rhythm I wanted to hear. That’s how we got drummer Matt Chamberlain (Fiona Apple, the Wallflowers) involved. He played a killer straight beat that still swings hard. Dex brought on his friend Luther Dickinson (North Mississippi Allstars) for the solo and outro.

by Baby Robot Media

Karen and the Sorrows Featured on Americana UK

Describing themselves as “Queer country trailblazers” tells the new listener everything they need to know about this interesting four-piece, except perhaps the most important thing which is what’s the music like beyond just ‘country’? The answer on the strength of this album is pretty good, and what’s more perhaps should not be shackled by a musical label such as country let alone one based on sexuality.

Songs such as ‘The Price of the Ticket’ have potential beyond the trope despite the ever-present lap steel with the glorious harmonies and affecting sway. Good stuff indeed.

by Baby Robot Media

Family Pet features on PunkNews’ ‘Bullshit Collector’ Compilation for Cassette Store Day 2017

Punknews is absolutely THRILLED to announce that we will be taking part in Cassette Store Day 2017! We’ll be releasing a tape!

Cassette Store Day is an international event where record stores and other cool shops sell tapes made just for that day. CSD 2017 is October 14 and, in the USA, it’s being organized by cassette champions Burger Records. Check out all the neat tapes being released on CSD site here!

For our part, we’re releasing a 30 band compilation that includes some of our favorite new, up-and-coming, and unsigned bands! It’s called Bullshit Collector! In contrast to the “Punknews Mixtape” series which has bands from all eras, Bullshit Collector focuses mostly on the newer stuff. (We threw in a few obscure tunes for good measure.) As is our style, it’s mixed like a Hip Hop mixtape, includes intros, outros, and skits, and it’s hosted by punk rock’s two hottest turntablists: DJ Johnny G and Dynamite Adam White!

by Baby Robot Media

Karen Pittelman from Karen & the Sorrows Creates Playlist Exclusively for B-Sides & Badlands

Welcome to Playlists, a series where we turn over the reigns to artists to curate the next big playlist

“There are two kinds of people in the world: normal people who listen to a song once or twice and then move on, and weirdos who put a song on repeat for an hour, a day or sometimes even a week,” Karen Pittelman, lead singer of Americana outfit Karen & the Sorrows, quips. As a “proud weird,” she found herself obsessing over a collection of songs, enshrined in hooky melodies, haunting musicianship and universally-daunting songwriting. “I thought I’d share a few of the songs I’ve been playing again and again…and again lately,” she adds.

Pittelman’s playlist, exclusively on B-Sides & Badlands, spans fellow country outliers and pop/rock icons to one audacious purveyor of venomous, well-whipped lyricism. Enjoy one essential track from Lilly Hiatt‘s latest album, along with entries from Silversun Pickups, Gillian Welch, Radiohead and Stevie Wonder. The vocalist and talented player walks us through each song, detailing personal enlightenment and exactly why she just can’t move on.